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Like America itself, the architecture of the United States is an amalgam, an imitation or an importation of foreign forms adapted to the natural or engineered landscape of the New World. So can there be an "American School" of architecture? The most legitimate claim to the title emerged in the 1950s and 1960s at the Gibbs College of Architecture at the University of Oklahoma, where, under the leadership of Bruce Goff, Herb Greene, Mendel Glickman, and others, an authentically American approach to design found its purest expression, teachable in its coherence and logic. Followers of this first truly American school eschewed the forms most in fashion in American architectural education at the ...
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Way over yonder in the minor key There ain't nobody that can sing like me --Woody Guthrie Originally published as issue #35 of Sugar Mule: A Literary Magazine (www.sugarmule.com), this groundbreaking anthology includes 188 selections of poetry, fiction, creative nonfiction, essays, and visual art by 78 writers and 2 visual artists who currently live in Oklahoma. A powerful gathering of voices, singing hymns, telling stories, making truth from a powerful place. --Rilla Askew, author of Fire in Beulah and Harpsong
Literary histories, of course, do not have a reason for being unless there exists the literature itself. This volume, perhaps more than others of its kind, is an expression of appreciation for the talented and dedicated literary artists who ignored the odds, avoided temptations to write for popularity or prestige, and chose to write honestly about the American West, believing that experiences long knowns to be of historical importance are also experiences that need and deserve a literature of importance.
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Even as a pup, Davy Crockett "always delighted to be in the very thickest of danger." In his own inimitable style, he describes his earliest days in Tennessee, his two marriages, his career as an Indian fighter, his bear hunts, and his electioneering. His reputation as a b'ar hunter (he killed 105 in one season) sent him to Congress, and he was voted in and out as the price of cotton (and his relations with the Jacksonians) rose and fell. In 1834, when this autobiography appeared, Davy Crockett was already a folk hero with an eye on the White House. But a year later he would lose his seat in Congress and turn toward Texas and, ultimately, the Alamo.