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Arcadian Waters and Wanton Seas
The nineteenth century was the great age of landscape painting in Europe and America. In an era of rapid industrialization and transformation of landscape, pictures of natural scenes were what people wanted most to display in their homes. The most popular and marketable pictures, often degenerating into kitsch, showed a wilderness with a pond or a lake in which obtrusive signs of industry and civilization had been edited out. Inspired by Romantic ideas of the uniqueness of the nation, pictorial and literary art was supposed to portray the «soul» of the nation and the spirit of place, a view commonly adopted by cultural and art historians on both sides of the Atlantic. Arcadian Waters and W...
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The Panoramic River
Havell s work, (who also created many of the landscapes for Audubon s famous birds) includes panoramic publications and paintings of the Hudson River and the Thames like other artists in this exhibition such as Thomas Cole (Father of the Hudson River School), and noted artists Jasper Cropsey and John Kensett, who favored the chain of cities, suburbs, and countryside along these two rivers, where horizontal planes and historical associations gave form to both artistic and cultural expression. The Panoramic River features major loans from more than two dozen museums, galleries, and private collections. Museums lending paintings include: The Metropolitan Museum of Art; The New-York Historical Society; Museum of Fine Arts, Boston; Baltimore Museum of Art; Fenimore Art Museum; The Frances Lehman Loeb Art Center at Vassar College; Maryland State Archives; West Point Museum; Williams College Museum of Art; Princeton University Art Museum; and the Yale Center for British Art.
Feeling Dis-ease in Modern History
This book explores experiences of illness, broadly construed. It encompasses the emotional and sensory disruptions that attend disease, injury, mental illness or trauma, and gives an account of how medical practitioners, experts, lay authorities and the public have felt about such disruptions. Considering all sides of the medical encounter and highlighting the intersection of intellectual history and medical knowledge, of institutional atmospheres, built environments and technological practicalities, and of emotional and sensory experience, Feeling Dis-ease in Modern History presents a wide-ranging affective account of feeling well and of feeling ill. Especially occupied with the ways in whi...
"Framing the Ocean, 1700 to the Present "
Before the eighteenth century, the ocean was regarded as a repulsive and chaotic deep. Despite reinvention as a zone of wonder and pleasure, it continued to be viewed in the West and elsewhere as ?uninhabited?, empty space. This collection, spanning the eighteenth century to the present, recasts the ocean as ?social space?, with particular reference to visual representations. Part I focuses on mappings and crossings, showing how the ocean may function as a liminal space between places and cultures but also connects and imbricates them. Part II considers ships as microcosmic societies, shaped for example by the purpose of the voyage, the mores of shipboard life, and cross-cultural encounters....
Transnationalism in Practice
Transnationalism in Practice brings together fourteen essays written by Paul Giles between 1994 and 2009 on the subjects of American studies, literature and religion. In an introduction written especially for the collection, Giles traces the evolution of critical transnationalism as it developed through the 1980s and 1990s. The volume includes "e;Reconstructing American Studies"e; (1994), one of the first articles to address the field from a transnational perspective, along with other pieces on methodological and practical issues surrounding the internationalization of American studies. The essays on American literature contain work on Theodore Dreiser, Henry James and the critic F. O. Matth...
Window Seat
Author Majorie Neset, a lifelong traveler, reader, and writer, invites you along on a lifetime of journeys, long and short, to “far away places with strange-sounding names”—or just down Highway 71 to picnic in the shade of Paul Bunyan and Babe. Window Seat: The Story of a Traveling Life presents an explorer’s tale or perhaps a memoir of journeying. Neset was born near the beginning of World War II and spent the next eighty-five years traversing the world, from northern Minnesota’s Koochiching County to Mongolia, Madagascar, Singapore, Syria, and most points between. While the lands are grand, the adventures reflect a more human scale, often originating in books Neset read and always planned by her alone. Who could have imagined that, as her travels drew to a close, the planet would be experiencing similar turmoil to the events leading up to the world war into which she was born? With that in mind, she encourages everyone to get out there and experience this magnificent planet while they still can.
Stuck Moving
"AUTHOR'S NOTE: This book is unconventional. A self-conscious experiment in form that draws together two vernaculars: anthropological thought and the pop culture of my youth. It is a fraught exercise. I write as a White guy about angst and alienation in the privileged spaces of anthropology and higher education. I appreciate the irony. I hope nonetheless that my experiences with and critical perspectives on social conventions, the culture of liberalism, and ableism in academia might be useful. I seek to expand possibilities of anthropological representation while challenging epistemological, aesthetic, and professional norms in my discipline. It bothers me that anthropology can be so sanctim...
