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Johnny
"The life and career of a spy, the German-born Johann Heinrich Amadeus "Johnny" de Graaf (1894-1980), who was a double agent for the British against the Soviets before the Second World War, and worked for Canada against Canadian Fascists during the war"--Provided by publisher.
The Tribute of Blood
In The Tribute of Blood Peter M. Beattie analyzes the transformation of army recruitment and service in Brazil between 1864 and 1945, using this history of common soldiers to examine nation building and the social history of Latin America’s largest nation. Tracing the army’s reliance on coercive recruitment to fill its lower ranks, Beattie shows how enlisted service became associated with criminality, perversion, and dishonor, as nineteenth- and early-twentieth-century Brazilian officials rounded up the “dishonorable” poor—including petty criminals, vagrants, and “sodomites”—and forced them to serve as soldiers. Beattie looks through sociological, anthropological, and histori...
Secret Dialogues
Secret Dialogues uncovers an unexpected development in modern Latin American history: the existence of secret talks between generals and Roman Catholic bishops at the height of Brazil's military dictatorship. During the brutal term of Emilio Garrastazœ Medici, the Catholic Church became famous for its progressivism. However, new archival sources demonstrate that the church also sought to retain its privileges and influence by exploring a potential alliance with the military. From 1970 to 1974 the secret Bipartite Commission worked to resolve church-state conflict and to define the boundary between social activism and subversion. As the bishops increasingly made defense of human rights their...
Contracultura
Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. Dunn reveals p...
Negotiating National Identity
A comparative study of immigration and ethnicity with an emphasis on the Chinese, Japanese, and Arabs who have contributed to Brazil's diverse mix.
A Third Path
"A transnational history of corporatism-a "third path" between capitalism and communism-centered on mid-twentieth century Brazil. Following the First World War, there was a widespread feeling that the unchecked free-market competition had given rise to financial crisis, social unrest, and chronic underdevelopment. With people and governments across the world looking for an alternative to laissez-faire capitalism, Brazil took a central role in experimenting with a "third path" between capitalism and communism: corporatism. Remaking Capitalism: A Global History of Corporatism in Brazil, 1920s-1960s argues that corporatism transformed the Brazilian state into an agent of economic development, a...
Making Samba
In November 1916, a young Afro-Brazilian musician named Donga registered sheet music for the song "Pelo telefone" ("On the Telephone") at the National Library in Rio de Janeiro. This apparently simple act—claiming ownership of a musical composition—set in motion a series of events that would shake Brazil's cultural landscape. Before the debut of "Pelo telephone," samba was a somewhat obscure term, but by the late 1920s, the wildly popular song had helped to make it synonymous with Brazilian national music. The success of "Pelo telephone" embroiled Donga in controversy. A group of musicians claimed that he had stolen their work, and a prominent journalist accused him of selling out his people in pursuit of profit and fame. Within this single episode are many of the concerns that animate Making Samba, including intellectual property claims, the Brazilian state, popular music, race, gender, national identity, and the history of Afro-Brazilians in Rio de Janeiro. By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.
Slavery and Identity
Using both primary archival and printed sources, Mieko Nishida examines the perspectives of slaves, ex-slaves, and free-born people of color and the critical factors that affected their lives and self-perceptions. The book offers a new window on slave life in nineteenth-century Salvador, Brazil, and illustrates the difficulty of generalizing about New World slave societies.".
Judge and Jury in Imperial Brazil, 1808–1871
In nineteenth-century Brazil the power of the courts rivaled that of the central government, bringing to it during its first half century of independence a stability unique in Latin America. Thomas Flory analyzes the Brazilian lower-court system, where the private interests of society and the public interests of the state intersected. Justices of the peace—lay judges elected at the parish level—played a special role in the early years of independence, for the post represented the triumph of Brazilian liberalism’s commitment to localism and decentralization. However, as Flory shows by tracing the social history and performance of parish judges, the institution actually intensified confl...
Press, Power, and Culture in Imperial Brazil
Press, Power, and Culture in Imperial Brazil introduces recent Brazilian scholarship to English-language readers, providing fresh perspectives on newspaper and periodical culture in the Brazilian empire from 1822 to 1889. Through a multifaceted exploration of the periodical press, contributors to this volume offer new insights into the workings of Brazilian power, culture, and public life. Collectively arguing that newspapers are contested projects rather than stable recordings of daily life, individual chapters demonstrate how the periodical press played a prominent role in creating and contesting hierarchies of race, gender, class, and culture. Contributors challenge traditional views of newspapers and magazines as mechanisms of state- and nation-building. Rather, the scholars in this volume view them as integral to current debates over the nature of Brazil. Including perspectives from Brazil's leading scholars of the periodical press, this volume will be the starting point for future scholarship on print culture for years to come.
