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Uttara
Instead of being a tranquil denouement to a tale studded with dangerous adventure and emotional turbulence, Valmiki's Uttara Kanda is a shattering epilogue to a beloved story.Ravana has been defeated, and Rama and Sita have returned to Ayodhya. Rama is established on the throne that is rightfully his and spends his time listening to the stories that the sages tell him, which answer questions like: Why did Hanuman not know about his special powers? How is it that the mighty rakshasas were defeated by the monkeys? Why did Ravana never touch Sita when she was his prisoner? But these stories are punctuated by events such as the banishment of Sita and the killing of Shambuka.What is said and done in the Uttara Kanda forces us to reconsider the events of the Ramayana, urging us to read the epic through a new and disturbing lens.
Valmiki's Ramayana
Valmiki's Ramayana, composed as early as 500 BCE, remains a story that speaks to every generation and continues to enthral millions of people in the Subcontinent and beyond.The noble prince Rama is exiled from Ayodhya on his stepmother's whim, and his loyal brother Lakshmana and beautiful wife, Sita, follow him into the forest despite the many dangers it holds. But when Sita is kidnapped by Ravana, king of the rakshasas, Rama must go deep into himself to find the physical and emotional resources he needs to rescue her.Apart from exploring the fundamental human question of how to be good, the Ramayana is also the story of a god who comes to earth to establish righteousness. The tension between Rama's essentially divine nature and his all too human trials makes this one of the most compelling epics in world literature.
Lost Loves
None
Maryada
This book explores the idea of dharma.
Valmiki's Uttara Kanda
The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India’s great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with ...
Ramayana
One of India’s two greatest epics, the Ramayana pervades the country’s moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Now this magnificent translation makes the monumental work available to a new audience. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BC, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. Exiled for fourteen years because of his stepmother’s fit of jealousy on the eve of his coronatio...
Valmiki's Ramayana
One of India’s greatest epics, the Ramayana pervades the country’s moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BCE, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.
And We Came Outside and Saw the Stars Again
In this rich, eye-opening, and uplifting digital anthology, dozens of esteemed writers, poets, and artists from more than thirty countries send literary dispatches from life during the pandemic. Net proceeds benefit booksellers in need. As our world is transformed by the coronavirus pandemic, writers offer a powerful antidote to the fearful confines of isolation: a window onto lives and corners of the world beyond our own. In Mauritius, a journalist contends with denialism and mourns the last days of summer, lost to the lockdown. In Paris, a writer struggles to protect his young son from fear. In Chile, protesters who prevailed against tear gas and rubber bullets are now halted by a virus. I...
Ramayana for Children
Adhering faithfully to ValmikiÕs RAMAYANA, the oldest version of RamaÕs story composed in Sanskrit about two and a half thousand years ago, Arshia Sattar distils the great Indian epic in this beautifully told and sumptuously illustrated edition
The Mouse Merchant
Even in ancient India, money is always a good thing and everyone wants it. The stories in The Mouse Merchant—selected from the Sanskrit universe, from the period of the late Rig Veda to the twelfth century—tell us how money was dealt with in everyday life in ancient and medieval Indian society. At the heart of these tales is the merchant. Sometimes gullible, sometimes greedy; ingenious at some moments, dim-witted at others; and hopelessly in love with courtesans but also loyal to their wives, our merchant heroes show how innovation in business is sometimes more important than capital. The Mouse Merchant puts these stories into the context of Indian business history, giving not only rare insights into the romance of the ancient seafaring life but also great wisdom about money.
