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Lost Loves
The story of the Ramayana is a story of trial and tribulation, of the subtlety of right and wrong, of love and loss. The actions of Rama, the righteous but troubled prince of Ayodhya, have perplexed readers over millennia. Lost Loves is an attempt to come to terms with Rama and with the Ramayana – a text that Arshia Sattar has translated to acclaim. The essays in this book imagine what might have been the thoughts and feelings of Rama and Sita as they lived through those terrible years of trial and separation. They explore what happens to love in separation, and how public lives and private desires collide to devastating effect. By trying to see the events of their lives as Rama and Sita may have seen them, Arshia Sattar makes the existential conflicts of the Ramayana fascinatingly relevant and freshly inspiring for the contemporary reader.
Uttara
Instead of being a tranquil denouement to a tale studded with dangerous adventure and emotional turbulence, Valmiki's Uttara Kanda is a shattering epilogue to a beloved story.Ravana has been defeated, and Rama and Sita have returned to Ayodhya. Rama is established on the throne that is rightfully his and spends his time listening to the stories that the sages tell him, which answer questions like: Why did Hanuman not know about his special powers? How is it that the mighty rakshasas were defeated by the monkeys? Why did Ravana never touch Sita when she was his prisoner? But these stories are punctuated by events such as the banishment of Sita and the killing of Shambuka.What is said and done in the Uttara Kanda forces us to reconsider the events of the Ramayana, urging us to read the epic through a new and disturbing lens.
Valmiki's Ramayana
One of India’s greatest epics, the Ramayana pervades the country’s moral and cultural consciousness. For generations it has served as a bedtime story for Indian children, while at the same time engaging the interest of philosophers and theologians. Believed to have been composed by Valmiki sometime between the eighth and sixth centuries BCE, the Ramayana tells the tragic and magical story of Rama, the prince of Ayodhya, an incarnation of Lord Visnu, born to rid the earth of the terrible demon Ravana. An idealized heroic tale ending with the inevitable triumph of good over evil, the Ramayana is also an intensely personal story of family relationships, love and loss, duty and honor, of harem intrigue, petty jealousies, and destructive ambitions. All this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. With her magnificent translation and superb introduction, Arshia Sattar has successfully bridged both time and space to bring this ancient classic to modern English readers.
Ramayana
One of India’s greatest epics, the Rāmāyaṇa pervades the country’s moral and cultural consciousness. Believed to have been composed by Vālmīki sometime between the eighth and sixth centuries BC, it recounts the tragic and magical tale of Rāma, the wrongfully exiled prince of Ayodhyā, an incarnation of the god Viṣṇu, born to rid the earth of the terrible demon Rāvaṇa. An idealized heroic tale about the struggle between good and evil, the Rāmāyaṇa is also an intensely personal story of family relationships, love and loss, duty and honour, of harem intrigue, petty jealousies and destructive ambitions—all this played out in a universe populated by larger-than-life humans, gods and celestial beings, wondrous animals and terrifying demons. Widely acclaimed since its first publication in 1996, Arshia Sattar’s stellar translation is an absolute delight, successfully bridging time and space to bring us the wisdom, adventure and eroticism of this enduring classic.
Ramayana for Children
Adhering faithfully to ValmikiÕs RAMAYANA, the oldest version of RamaÕs story composed in Sanskrit about two and a half thousand years ago, Arshia Sattar distils the great Indian epic in this beautifully told and sumptuously illustrated edition
Valmiki's Uttara Kanda
The last and most intriguing book of the Ramayana, the Uttara Kanda is rendered here by noted Sanskrit scholar Arshia Sattar in vivid, sensuous detail. First composed around 500 BCE, it tells the story of an unjustly exiled prince, the abduction of his wife from the forest by a ten-headed demon king, his alliance with a band of magical monkeys, and the internal and external battles he must fight to win back his wife and keep her. India’s great Sanskrit epic brings to readers the classic dilemmas every individual faces: love versus duty, destiny and free will, the public and the private self, the pull of family, and the right to personal happiness. These universal problems are layered with ...
The Promise
"The Promise is the second chapter of Vasantha Yogananthan's long-term project A Myth of Two Souls, which offers a contemporary retelling of The Ramayana. A seven-chapter tale first recorded by the Sanskrit poet Valmiki around 300 BC, The Ramayana is one of the founding epics of Hindu mythology. This second book celebrates the love between Rama and Sita, the two main characters of the story. Their union, a festive but challenging event, is strongly embedded in the collective imagination in India and Nepal. The Ramayana has been continuously rewritten and reinterpreted through time, and for Yoganathan's book has been retold by Indian writer Arshia Sattar."--Publishers description.
Maryada
What does it mean to be good? 'Maryada' is a commonly used word for 'boundary' in Sanskrit which also means 'propriety of conduct'. In the context of the Ramayana, the word carries special weight because it comes to be used as the defining virtue of Rama, the 'maryada purushottama'. But despite the fact that Rama is regarded as the epitome of dharma in his thoughts and deeds, the Ramayana does not provide us with one single template for right action. Nor does it tell us that dharma is beyond the reach of human understanding and human action. On the contrary, it holds out the promise that everyone can and should search for a dharma they can believe in, a dharma that is vulnerable but all the more precious because it has been sought and found rather than given and received. In her thought-provoking new book, renowned Ramayana scholar Arshia Sattar writes with compassion, tenderness and insight about dharma as a multiplicity of appropriate choices, showing us that when we choose one way of being and doing over another, we will be as often wrong as we are right.
Ramayana
One of the world’s oldest and best-loved tales, now retold and illustrated in thrilling detail for readers of all ages. Rama pulled the splendid arrow out of his quiver. It had been given to him long ago by the sage Agastya who had told him that he could use it only once and only for a great enemy. The incomparable arrow held the wind in its feathers, the sun and the moon in its shining tip, the earth in its shaft and the power of the doomsday fire in its flight. Ramayana—an unforgettable tale of love, adventure, flying monkeys and god acting in the world of humans—has been treasured by readers around the world for thousands of years. Now in an authoritative, gripping retelling by the ...
Tales from the Kathāsaritsāgara
The Vast Ocean Of Stories That Influenced Storytelling The World Over The Kathasaritasagara Is Said To Have Been Compiled By A Kashmiri Saivite Brahmin Called Somadeva In Ad 1070, Although The Date Has Not Been Conclusively Established. Legend Has It That Somadeva Composed The Kathasaritasagara For Queen Suryavati, Wife Of King Anantadeva Who Ruled Kashmir In The Eleventh Century. The Stories In This Book Are Retold From Ten Of The Eighteen Books Of The Original Kathasaritasagara. The Most Remarkable Feature Of The Kathasaritasagara Is That Unlike Other Texts Of The Time, It Offers No Moral Conclusions, No Principles To Live By And Is Throughout A Celebration Of Earthly Life. The Tale Of Nar...
