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The essential sourcebook on Celtic art
Disseminates the results of the year's research into using parallel computing to solve complex fluid dynamic problems in such areas as climate modeling, consultation, and aerodynamics. Some 90 papers include reports on novel parallel algorithms, parallel Euler and Navier-Stokes solvers, multigrid techniques, flow visualization and grid generation, and parallel adaptive and irregular solvers. Among the applications discussed are reacting flows, multiphase flows, vehicle design, hypersonic reentry problems, moving boundaries, turbulence, and environmental engineering. No index. Annotation copyright by Book News, Inc., Portland, OR
More wide ranging, both geographically and chronologically, than any previous study, this well-illustrated book offers a new definition of Celtic art. Tempering the much-adopted art-historical approach, D.W. Harding argues for a broader definition of Celtic art and views it within a much wider archaeological context. He re-asserts ancient Celtic identity after a decade of deconstruction in English-language archaeology. Harding argues that there were communities in Iron Age Europe that were identified historically as Celts, regarded themselves as Celtic, or who spoke Celtic languages, and that the art of these communities may reasonably be regarded as Celtic art. This study will be indispensable for those people wanting to take a fresh and innovative perspective on Celtic Art.
E. Mairi MacArthur looks at the work of renowned Scottish artisans and jewellers Alexander and Euphemia Ritchie.
'Early Celtic art' - typified by the iconic shields, swords, torcs and chariot gear we can see in places such as the British Museum - has been studied in isolation from the rest of the evidence from the Iron Age. This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society. The contributions move beyond the traditional concerns with artistic styles and continental links, to consider the material nature of objects, their social effects and their role in practices such as exchange and burial. The aesthetic impact of decorated metalwork, metal composition and manufacturing, dating and regional differences within Britain all receive coverage. The book gives us a new understanding of some of the most ornate and complex objects ever found in Britain, artefacts that condense and embody many histories.
Showcasing the work of ten talented contemporary artists, this full-color volume is a breathtaking collection of some of the best Celtic artwork available, representing a variety of styles and influences. Each artist provides a fascinating overview of his or her work, describing the influences and inspirations that led to the superb illustrations presented here. Filled with color, intricate designs, and captivating figures, this beautiful volume is sure to stir the imaginations, hearts, and souls of anyone interested in Celtic art, culture, and history.
Describes and illustrates the construction principles used by the British and Irish schools of Celtic art
The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal’s Early Celtic Art in 1944. The papers chart the history of attempts to unders...
Classic of scholarly research explores origins of Celtic art in Britain, Ireland, and Europe. Illustrated with 44 plates of photographs and line drawings of artifacts from a variety of sites, this study traces Celtic art in the Bronze and early Iron Ages, as well as Celtic art of the Christian period.
A beautifully illustrated study of Celtic arts -- style, development and revival - and the relationship between art objects and identity, covering 2500 years of history.