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This volume is the first scholarly study in the English language of Croatia's extraordinary artistic heritage. Leading specialists analyse the key cultural developments in this small country's history, from the extensive Roman remains on the Adriatic coast, through the gothic splendour of the Dalmatian cities in the Middle Ages and intensive artistic exchange with Italy during the Renaissance, to the grand houses and art collections of continental Croatia. The essays address iconic monuments like Diocletian's palace at Split and the walled city of Dubrovnik alongside more unfamiliar treasures, some never published before. This books sets Croatia's cultural past in context, reflecting the country's unique history at the crossroads between Italy, Central Europe and the Mediterranean. With contributions by leading British, American and Croatian writers and scholars, including John Julius Norwich, Timothy Clifford, Marcus Binney, Brian Sewell and Sheila McNally this book presents for the first time a portrait of the culture of this captivating and too little known country.
Croatia is a country in southeastern Europe, bordered by Slovenia to the northwest, Hungary to the northeast, Serbia to the east, Bosnia and Herzegovina to the southeast, Montenegro to the southeast, and the Adriatic Sea to the southwest. The country is also known as Hrvatska in Croatian, and its capital and largest city is Zagreb. Croatia has a population of approximately 4.05 million people, with the majority of residents identifying as ethnic Croats. Croatia has a rich cultural history that dates back to prehistoric times. Its strategic location between Central Europe and the Mediterranean has made it an important crossroads for various civilizations, including the Illyrians, Romans, Byzantines, Ottomans, and Austro-Hungarians. Croatia gained its independence from Yugoslavia in 1991 and has since become a member of the European Union, NATO, and the United Nations. The country is known for its stunning coastline, beautiful national parks, and rich culinary traditions, and it has become an increasingly popular tourist destination in recent years.
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An account of a major international art movement originating in the former Yugoslavia in the 1960s, which anticipated key aspects of information aesthetics. New Tendencies, a nonaligned modernist art movement, emerged in the early 1960s in the former Yugoslavia, a nonaligned country. It represented a new sensibility, rejecting both Abstract Expressionism and socialist realism in an attempt to formulate an art adequate to the age of advanced mass production. In this book, Armin Medosch examines the development of New Tendencies as a major international art movement in the context of social, political, and technological history. Doing so, he traces concurrent paradigm shifts: the change from F...