Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Early Netherlandish Paintings
An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Revolutionary Paris and the Market for Netherlandish Art
Revolutionary Paris and the Market for Netherlandish Art restores attention to the aesthetic, intellectual, and economic link between two key periods in the history of art: the “Golden Age” of Dutch and Flemish painting and that of the French Revolution.
Many Antwerp Hands
None
In His Milieu
Gathered in honor of John Michael Montias (1928–2005), the foremost scholar on Johannes Vermeer and a pioneer in the study of the socioeconomic dimensions of art, the essays in In His Milieu are an essential contribution to the study of the social functions of making, collecting, displaying, and donating art. The nearly forty essays here by—all internationally recognized experts in the fields of art history and the economics of art—are especially revealing about the Renaissance and Baroque eras and present new material on such artists as Rembrandt, Van Eyck, Rubens, and da Vinci.
From Van Eyck to Bruegel
Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
Sight and Spirituality in Early Netherlandish Painting
Publisher Description
The Erotics of Looking
The Erotics of Looking: Early Modern Netherlandish Art presents a collection of provocative essays that explore the material qualities of early Dutch art to reveal ways new forms of visual imagery solicit a beholder’s involvement. Explores how descriptive pictures during the early modern Dutch art period operated as social things and were designed to pleasurably engage the eye and prompt discussion and debate Shows how these works potentially raised ethical and political questions about the interconnectedness of engaging with pictures and the material world Represents a major contribution to the field of early modern Netherlandish art and to general debates about the status and functions of descriptive art Features essays addressing a variety of aspects of the field, from the historiography of Dutch art to closely attentive readings of particular works Crafts an original theoretical framework by applying recent insights about the making of early modern publics and the study of material things to the analysis of Netherlandish art
Netherlandish Art in the Rijksmuseum: 1600-1700
This book is the second in a four-part series that paints a picture of Dutch art from the late middle ages to the beginning of the twentieth century. The series provides a broad panorama of the achievements of Dutch painters, draughtsmen, sculptors, gold and silversmiths, glass engravers, weavers, potters, and cabinetmakers over the centuries, illustrating its survey with a selection of works of art taken from the unparalleled collection of the Rijksmuseum in Amsterdam. This volume, which focuses on the period from 1600 to 1700, places the works from this magnificent period in their historical context and discusses their origins, significance, and distinguishing features.
Netherlandish Art and Luxury Goods in Renaissance Spain
This collection of essays explores the diverse ways in which Netherlandish art and luxury goods permeated the artistic landscape of Renaissance Spain. Covering a wide range of approaches and perspectives, the book includes studies on carved altarpieces, stone sculpture, painting, tapestry, architectural design, prints and mathematical instruments. Through the lens of artists, patrons, collectors, merchants and other intermediaries, special attention is paid to local cultures of collecting and display. Together, the essays provide a fascinating and multifaceted view of the reciprocal relationships between the Low Countries and Spain from the fifteenth to the early seventeenth centuries. With contributions by Maite Barrio Olano, Ion Berasain Salvarredi, Iain Buchanan, Krista De Jonge, Raymond Fagel, Noelia Garcia Perez, Dirk Imhof, Nicola Jennings, Ethan Matt Kavaler, Jesus Muniz Petralanda, Eduardo Lamas-Delgado, Abigail Newman, Stephanie Porras, Antonia Putzger, Koenraad Van Cleempoel, Paul Vandenbroeck and Elena Vazquez Duenas.
