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Art Rosenbaum's Old-time Banjo Book
Art Rosenbaum is one of America's foremost performers and teachers of traditional five-string banjo playing. He has a long-time interest in the myriad old-time tunings that give breadth and richness to mountain and old-time banjo picking, and has learned first-hand from old-timers in the South and Midwest. Pete Seeger (whose pioneering book How to Play the Five-String Banjo gave Art his start in the 1950s) praised the inclusion of 23 tunings in Art's 1968 Oak Publications book Old-Time Mountain Banjo. This book and 2-DVD set doubles (plus one!) that number of tunings. Art groups the tunings into families and shows how they can be used, with various picking styles, in playing banjo tunes and string band music and in song accompaniment. Experienced players will broaden their knowledge of unusual and interesting tunings and styles, and novice players can get started with common tunings for easy pieces like Cripple Creek and Shout Lulu, the first tunes many old-timers learned.
The Art of the Mountain Banjo
A complete survey of traditional banjo styles complete with tunings, playing tips, and the author's deft drawings. Progresses from easy tunes for the beginner to more difficult pieces. The styles include up-picking or Pete Seeger's basic strum; two-finger picking; three-finger picking; and what had variously been called frailing, clawhammer, knocking, rapping, overhand, fram-style, flayin' hand, andother Appalachian names, here called down-picking. Audio download available online
Old Time Mountain Banjo
An Instruction Method for playing the old-time five-string mountain banjo based on the styles of traditional banjo-pickers.
Weaving His Art on Golden Looms
This catalogue of the works of Athens artist Art Rosenbaum accompanies his first major retrospective exhibition and is fully illustrated, with fifty-one full-page color images reflecting the entire checklist of the exhibition. Rosenbaum's paintings show many influences, from the American Scene to self-taught art to German Expressionist prints, and their large scale, complexity, and vivid color draw the viewer in. Dennis Harper (Georgia Museum of Art curator of exhibitions), Paul Manoguerra (Georgia Museum of Art curator of American art) and Len Jenkin (playwright) contributed essays to the catalogue, which also includes a forty-five-minute documentary on DVD titled "It's Not What You Think It Is" and directed by Neil Rosenbaum.
Folk Visions and Voices
Sampling virtually all of the old-time styles within the musical traditions still extant in north Georgia, Folk Visions and Voices is a collection of eighty-two songs and instrumentals, enhanced by photographs, illustrations, biographical sketches of performers, and examples of their narratives, sermons, tales, and reminiscences.
The Obama Portraits
Unveiling the unconventional : Kehinde Wiley's portrait of Barack Obama / Taína Caragol -- "Radical empathy" : Amy Sherald's portrait of Michelle Obama / Dorothy Moss -- The Obama portraits, in art history and beyond / Richard J. Powell -- The Obama portraits and the National Portrait Gallery as a site of secular pilgrimage / Kim Sajet -- The presentation of the Obama portraits : a transcript of the unveiling ceremony.
Old-Time Conversations
Disillusioned with business at age 50, the author found himself irresistibly drawn to the joy and sense of community that music had first brought to his youth. Inspired by this rediscovered passion, he embarked on a remarkable 12-year odyssey, capturing the stories of artisans, performers and historians of traditional music across North America now preserved in this volume. These interviewees who represent the heart and soul of old-time music include instrument builders Bart Reiter, Patrick "Doc" Huff, Pete Ross, Zachary Hoyt, Bill Rickard, and William Seeders Mosheim; old-time performers Rayna Gellert, David Holt, James "Sparky" Rucker, Clare Milliner, Mac Benford, Sheila Kay Adams, Paul Brown and John McCutcheon; and historians and authors Dwight Diller, Bill Malone, Don Flemons, and Tim Brooks.
The Beautiful Music All Around Us
The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread," the fiddle tune "Bonaparte's Retreat," the blues "Another Man Done Gone," and the spiritual "Ain't No Grave Can Hold My Body Down," these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of t...
Pen to Paper
Even in this age of emails, texts, and tweets, there is an ongoing fascination with the simple act of putting pen to paper. Associations such as the International Association of Master Penmen and the Society for Italic Handwriting keep the traditions of calligraphy and penmanship alive, hand-writing typefaces continue to sell, and hand-drawn display type and packaging of all sorts enjoy a renaissance. Pen to Paper, a collection of letters by artists from the Smithsonian's Archives of American Art, reveals how letter writing can be an artistic act, just as an artist puts pen to paper to craft a line in a drawing. Brief essays explore what can be learned from the handwriting of celebrated artists such as Mary Cassatt, Frederic Church, Howard Finster, Winslow Homer, Ray Johnson, Rockwell Kent, Georgia O'Keeffe, Claes Oldenburg, Maxfield Parrish, Eero Saarinen, Saul Steinberg, and many others. Each letter is accompanied by an archival image of the artist or a related artwork, with a full transcription. Pen to Paper provides a fresh way to think about artists and their creative work and is sure to inspire your next handwritten note or letter.
