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Notes and Tones
Notes and Tones is one of the most controversial, honest, and insightful books ever written about jazz. As a black musician himself, Arthur Taylor was able to ask his subjects hard questions about the role of black artists in a white society. Free to speak their minds, these musicians offer startling insights into their music, their lives, and the creative process itself. This expanded edition is supplemented with previously unpublished interviews with Dexter Gordon and Thelonious Monk, a new introduction by the author, and new photographs.Notes and Tones consists of twenty-nine no-holds-barred conversations which drummer Arthur Taylor held with the most influential jazz musicians of the ’60s and ’70s—including:
On the Road with Del & Louise
Six linked short stories tracing the adventures of Del, a small-time crook, and his victim-turned-lover-and-accomplice Louise.
Forensic Art and Illustration
As the number of stranger-on-stranger crimes increases, solving these crimes becomes more challenging. Forensic illustration has become increasingly important as a tool in identifying both perpetrators and victims. Now a leading forensic artist, who has taught this subject at law enforcement academies, schools, and universities internationally, off
Embroidered Art
Inspired by her love of nature, Lindsay Taylor moulds, sculpts, weaves and entwines hand-dyed natural fabrics into three-dimensional works of art. Employing a variety of techniques, including free-machine embroidery, hand embroidery, painting, dyeing, quilting, felting beading, wirework and applique, she recreates items such as bags, shoes, gowns, hats, even cups and lampshades in organic form, reflecting the intricacy and exquisite beauty of the natural world and instilling them with a dreamlike quality evocative of fairyland. The emphasis of this book is placed firmly on showcasing Lindsay's unique style of embroidered art, with an extensive gallery taking up three-quarters of the book and containing beautiful photographs and intriguing close-ups of her work. The introductory section provides an insight into her life journey - the evolution of her unique style of work, her inspiration, and the methods and materials she uses.
Drummin' Men
Burt Korall is widely recognized as the most authoritative writer on jazz drumming. His first book Drummin' Men--The Heartbeat of Jazz: The Swing Era is considered a classic. Now, in this exciting sequel, Korall offers a richly informative history of drumming in the Bebop era. Korall looks at this music through the eyes of the musicians themselves, covering a whole range of important jazz drummers, but focusing upon the most original and significant--principally Kenny Clarke, Max Roach, and Art Blakey. Korall provides a knowledgeable background about the history of bebop--and the unfortunate and almost universal heroin addiction that swept through the jazz world in the wake of Charlie Parker's habit. The book contains Korall's own memoir of nearly 50 years in the jazz world, linked by his narrative of the careers of these drummers and their place in the bebop jazz scene.
Festergrimm
In the fourth tale in this beloved series, villainous Sebastian Eels returns to Eerie-on-Sea, thrusting Herbie and Violet into a new adventure involving a missing girl, a spooky wax museum, and a dangerous clockwork robot. Herbie Lemon, Lost-and-Founder at the Grand Nautilus Hotel, and his fearless friend Violet Parma have unearthed many secrets in their village of Eerie-on-Sea: secrets lurking beneath the waves, lapping onto the beaches, and lying behind locked doors. When their brilliant and ruthless nemesis, Sebastian Eels, returns with a plan to open the long-shuttered waxworks museum, Herbie and Violet suspect nefarious motives. Their investigation leads them into the dark Netherways be...
Art Today
In Art Today Brandon Taylor charts the ideas and practices of contemporary art across a wide international spectrum. From Minimalism and Conceptualism to video and film, from painting and sculpture to performance and installation, he shows how advanced art has continued to provoke and perplex a fascinated public. Art Today shows how the new art of the last three decades has been energized not merely by changing technologies of art-making, but by the spread of new museum architecture, by the voice of the critic, and in recent times by the activity of the powerful international curator. It also shows how the dominant narrative of advanced art in the USA and Western Europe has been invigorated by an expanding international network, from the West Coast of America, from Eastern and Central Europe, and more recently from Asia and Africa. Reviewing the major controversies of the later twentieth century and the early years of the twenty-first, it also includes a discussion of the impact of the internet and digital art. Generously illustrated in colour, Art Today is a guiding narrative to the most adventurous art of our time.
From Realism to Abstraction
Highly respected as an Alberta artist and teacher, J. B. (Jack) Taylor (1917-1970) is best known for his representational, semi-abstract, and abstract paintings of the Canadian Rocky Mountains. Taylor's initial influences were the American landscape painters of the latter half of the nineteenth century. Ultimately, he moved from a more traditional representation of nature to an intuitive perception of the essential elements of landscape - rock, water, and sky - as impacted by light. Rather than presenting mountains in all their majesty, using acrylics and other media, he captured the aura of the mountains in a unique and abstract style.
Condition
The paintings we see today in museums, galleries, churches and temples are often much altered by the centuries. Pictures can split, rot, be eaten by woodworm, warp, blister, crack, cup, flake, darken, blanch, discolor, become too translucent and disappear under a centuries-old varnish; and they can also suffer from the efforts of their owners to rectify these situations: they might be transferred, relined, ironed, abraded or repainted. Anyone writing about a work of art needs to establish at the outset how much it has changed since it was first made. This act of understanding is far from easy. We need to develop a knowledge of the physical and chemical processes which have brought paintings ...
