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Tibetan Art
The rich artistic heritage of Tibet reveals the depths of meditations of great masters, translated into the majestic abundance of iconic symbols that take the form of three-dimensional images or two-dimensional thankas. Tibetan Art is a comprehensive introduction to the complex iconography of thankas. It provides a glimpse of the mindground of this art and the land where it flourished. Although Tibetan Art portrays the historic Buddha Sakyamuni, the arhats, spiritual masters, great lamas, and founders of different religious lineages, the preponderance of its images depict supramundane beings. Predominantly these are: the Buddhas, Bodhisattvas, female deities, protectors or tutelary gods (yi-dams), defenders of the faith, guardians of the four cardinal points, minor deities and supernatural beings.
Art of Tibet
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Tibetan Art
A complete introduction to Tibetan art presented in the context of Tibetan Buddhism. Amy Heller places the artwork within its historical social and religious context utilizing in situ photographs from Tibet. It spans 1400 years of art history.
Buddhist Ritual Art of Tibet
* First systematic review of Tibetan ritual art* Never-before-published Buddhist art objects* Written by expert on Tibetan art, Michael HenssTibetan Buddhist art is not only rich in figural icons but also extremely diverse in its symbols and ritual objects. This first systematic review is an abundantly illustrated reference book on Tibetan ritual art that aids our understanding of its different types and forms, its sacred meanings and ceremonial functions. Over eighteen chapters, several hundred different implements are documented in detail, in many cases for the first time and often in their various styles and iconographic forms: altar utensils and amulets, masks and mirrors, magic daggers and mandalas, torma sculptures and prayer objects, vajras and votive tablets, sacrificial vessels and oracle crowns, stupas and spirit traps, ritual vases, textiles, furniture, and symbolic emblems. These are accompanied by many historical and modern text sources, as well as rare recorded oral material from high-ranking Tibetan masters. This long-awaited handbook is a must-have for all those with a profound interest in Buddhist art and religion.
Sacred Art of Tibet
A black and white presentation of sacred art and statuary, along with an introduction to its meaning. This book includes 40 pages of black and white photographs and descriptions of fine Tibetan statues and paintings.
Sacred Visions
Accompanying an exhibition to be held in New York during late fall of 1998, Sacred Visions is a superbly illustrated volume of art works from the 11th to the mid-15th centuries which includes scholarly essays that relate to the paintings to be displayed.
Tibetan Religious Art
An informative overview of the intrinsic relationship of Buddhist deities to Tibetan art and well-captioned illustrations: temple paintings, books, wood blocks, ritual objects, robes, masks, metal work, more. 92 black-and-white illustrations.
Tibetan Art
Contains articles on all major areas of Tibetan art, including painting, sculpture, textiles, architecture and cave drawings. The authors of this study analyze and define Tibetan art styles and explore issues of chronology, provenance, patronage, iconography and religious function. -- Amazon.com.
The Tibetan Art of Healing
Romio Shrestha, Tibet's foremost traditional artist, uses the age-old technique of painting with rich minerals such as gold, lapis, and garnet to provide a beautiful re-creation of revered, 400-year-old, Tibetan "thangkas" on the art of healing--long considered lost. Tibetan scholar Ian Baker guides us through these exquisite paintings, unfolding their invaluable insights to remedies for a myriad of illnesses. Full color.
A History of Tibetan Painting
The present book is a first attempt at exploring the sacred painting traditions of Tibet from the mid-15th through 20th centuries on the basis of both the surviving pictorial remains and the extensive written sources that survive in the Tibetan language. The study of this period of Tibetan art history has in effect been neglected in recent years in favor of the earliest periods. Yet the vast majority of extant masterpieces of Tibetan Buddhist painting belong to this more recent period, and the relevant written and pictorial resources now available, though they have never been fully utilized until now, are in fact quite rich. The present study attempts in the first place to identify the great...
