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Trends in Modern Indian Art is a study of Indian Art from the end of 19th century to 1990. Indian Art started with academic realism of Raja Ravi Varma at the close of the 19th century. Abanindranath Tagore who was trained by Samuel Palmer and Japanese artist. Okakura, established the wash process of water colour painting known as the Bengal School in the beginning of the 20th century. His disciples like Nandalal Bosa and Ventappa further elaborated the style of the Bengal School later known as the Oriental Style.
This book is a compilation of art work by 28 artists against the variety of forms that have developed since the 1990s.
This book is a compilation of art work by 28 artists against the variety of forms that have developed since the 1990s.
Catalog of an exhibition of paintings on Indian art from post independence to the present day.
A seminal publication focusing on the modern art of Japan, China, India, Thailand, and Indonesia. A significant and challenging contribution to the discussion of the advent of modernism in Asia.
"Formed within months of the 1947 Partition of India and the ensuing violence and protest, the Progressive Artists' Group (PAG) included artists seeking a break with their country's past and its cultural constraints. Through lush illustrations and scholarly essays, this volume looks at the brand of modernism the Group espoused and its relevance and importance to contemporary art. The careers of artists K.H. Ara, S.K. Bakre, H.A. Gade, V.S. Gaitonde, M.F. Husain, Krishen Khanna, Ram Kumar, Tyeb Mehta, Akbar Padamsee, S.H. Raza, Mohan Samant, and F.N. Souza are presented in three sections. Progressives in Their Time explores how the artists turned away from the trauma of colonial rule and Part...
Iranna G.R. S Art Is Thought To Be A Stylistic Challenge To Postmodernism, Using Instead The Representative, Idealistic And Modernist Language Of Contemporary Indian Painting. This Book Is A Meditation On The Life And Work Of The Artist, Emphasizing The S
Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture...
In Paramjit Singh's resplendent landscapes there is always an air of mystery which haunts and beckons, making the viewer's experience spiritual and full of magic at the same time. The artist's own journey through such magical pathways began in the 1950s New Book