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This volume focuses on political and social expressions in contemporary art of Ukraine, Estonia, Lithuania, and Latvia. It explores the transformations that art in Ukraine and the Baltic states has undergone since their independence in 1991, discussing how the conflicts and challenges of the last three decades have impacted the reconsideration of identity and fostered resistance of culture against economic and political crises. It analyzes connections between the past and the present as seen by the artists in these countries and looks at their visions of the future. Contemporary Ukrainian art portrays various perspectives, addressing issues from controversial historical topics to the present...
The Art Of Ukrainian Sixties is the first comprehensive edition to represent various aspects of the unofficial Ukrainian culture of the 1960s, covering all the key figures of the time. The book`s core consists of texts on 15 artists, the key figures of the unofficial, or nonconformist art in Kyiv, Lviv, and Uzhhorod, as well as a separate, extensive overview of the Odessa school. Short monographs supplement the texts about officially sanctioned art practices, such as graphics, monumental art, and sculpture, which were also, to some extent, open to formal experiments during the era in question. Historical and methodological overviews in the opening section of the book as well as the concludin...
The history of Ukrainian art illustrates various phenomena that fundamentally altered the established flow of events and defined the further development of Ukraine's culture. Art historians frequently refer to them in an attempt to create their own versions of the past. Where Ukraine's visual arts of the twentieth century are concerned, it is impossible not to mention the founding of the Ukrainian Academy of Art in 1917.
Master's Thesis from the year 2003 in the subject Art - Miscellaneous, grade: 87, erg International School - Hebrew University of Jerusalem, Israel (Helmut Kohl Institute for European Studies), language: English, abstract: The independence of the countries that have succeeded the Soviet Union in 1990s has created basic conditions for the institutionalization of the civil society in these states. Ukraine has joined these newly independent states with little reliance on the institutions of the civil society. The developments within the Ukrainian art reflect the implications that the failure of the civil society institutionalization has for this particular domain of Ukrainian society. Ukrainian...
In the times when the Ukrainian art sphere was regulated by the Soviet institutions, local monumental and decorative arts existed at the frontier of the Party's propaganda and the artistic thirst to experiments. Nowadays, Ukrainian mosaics are wrested out of the architectural context of the country in both literal and metaphorical ways. The artworks are liquidated from the buildings they were specifically created for and indiscriminately despised as ideological pieces of no value. Furthermore, in legal terms mosaics are not defined as objects of art that makes them unguarded in the face of the decommunization process. Initially incepted as a guide, this book is an equally beneficial companio...
This is the first detailed look at the contribution of artists from the Ukraine to the phenomenon known as the School of Paris. At the same time that Picasso, Modigliani, and Chagall were working in Paris, many artists from Ukraine were also living and creating art there, among them Alexander Archipenko, Mykhailo Boichuk, Sonia Delaunay, Sophia Lewitska, Vladimir Baranoff-Rossine, and Hannah Orloff. In the early 1920s, they were joined by Oleksa Hryshchenko (Alexis Gritchenko), Mykhailo Andriienko, Vasyl Khmeliuk, and many otherssome achieved fame, others are long since forgotten. Ukrainian events that took place in the French capital are discussed against the general background of the School of Paris. A detailed appendix is included, featuring a dictionary of more than 250 Ukrainian artists in Paris as well as a chronology of Ukrainian events in the French capital, both covering the years 1900 to 1939."
The upheavals of glasnost and perestroika followed by the collapse of the Soviet Union remarkably transformed the art scene in Kyiv, launching Ukrainian contemporary art as a global phenomenon. The previously calm waters of the culturally provincial capital of the Ukrainian Soviet Republic became radically stirred with new and daring art made publicly visible for the first time since the avant-garde period of the early twentieth century. As artists were freed from the dictates of the fading Communist ideology and the constraints of late socialist realism, an explosion of styles emerged, creating an effect of baroque excess. This exhibition catalogue traces and documents the diverse artistic manifestations of these transitional and exhilarating years in Kyiv while providing some historical artworks for context. Published in partnership with the Zimmerli Museum.
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An in-depth overview of Ukrainian art from the dawn of modernism in the late nineteenth century to the start of the Russian invasion in winter 2022.
The book presents the first comprehensive study of Soviet monumental mosaics, outstanding artifacts of the cultural heritage of the era. Photographer Yevgen Nikiforov spent three years traveling all around Ukraine (including the presently occupied Autonomous Republic of Crimea, Donetsk and Lugansk oblasts) in search of the most interesting art pieces of the 1950s-1980s within the context of Soviet Modernism. He covered 35,000 km of Ukrainian roads and visited 109 cities and villages to discover more than 1,000 surviving mosaics. The book includes approximately 200 unique photographs of monumental panels: officially sanctioned gigantic images of workers, farmers, astronauts and athletes of co...