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Presents essays dealing with literature written by Hispanic Americans from the sixteenth century through 1960, evaluates individual authors, and examines the contributions of Latino authors in a multicultural, multilingual society.
Tomàs Rivera quite possibly has been the most influential voice in Chicano literature. Besides his masterpiece, y no se lo tragÑ la tierra / And the Earth Did Not Devour Him, included here is the sum total of his published works, in English and Spanish, as well as many that never made print in his lifetime.
Uli’s first flight, a late-night joy ride with his brother, changes their lives forever when the engine stops and the boys crash land, with “Texas to the right and Mexico to the left.” Before the accident, Uli juggled his status as both an undocumented immigrant and a high school track star in Harlingen, Texas, desperately hoping to avoid being deported like his father. His mother Araceli spent her time waiting for her husband. His older brother Cuauhtémoc, a former high-school track star turned drop-out, learned to fly a crop duster, spraying pesticide over their home in the citrus grove. After the crash, Cuauhtémoc wakes up bound and gagged, wondering where he is. Uli comes to in a...
ÒNo one looked at her. Papa, Mama, and Maria Elena were busy with their food, but an invisible cord linked them, forming a triangle that left Delia out.Ó In this endearing novel, Olga Berrocal Essex tells the story of young Delia PinedaÕs need to uncover a family secret. She tries to piece together whispered hints from overheard family conversations, like pieces in a puzzle, in an attempt to find Òsome meaning in her own life.Ó Growing up in Panama City in the 1950s, Delia is aware that the strain between her and her domineering older sister, Maria Elena, has something to do with her motherÕs past. As her sixteenth birthday approaches, she begins to understand that her motherÕs secret is inextricably woven with her sisterÕs feelings of unworthiness. DeliaÕs growth is marked by a blossoming compassion for her tormented family and a firm conviction to lead a different life, free from the unspeakable bonds of deception that keep the family together.
This ode to family depicts the special influence of a young boyÍs grandparents in his life. His voice rings as he catalogs the various ways his grandparents impact him. Through gentle verse, Caraballo strings the joys of this quiet relationship: weekends spent throwing parties in the kitchen with delectable desserts, strolls to the museums and historic sites, and sprinting through the spray of a water hose in the backyard. Set in Puerto Rico, the book, too, pays homage to a unique childhood on the island, colored by descriptions of El Morro, the cruise-liners and big freighters in the ocean, and frolicking in the sea with stingrays. The verses sparkle with this island song, flitting from the joys of the seaside to the cool nights under the stars. Caraballo introduces the reader, aged 3 to 7, to a strong grandparent and grandchild relationship. Complemented by vibrant illustrations, this is a book to share with a child on a very special day.
Mikey and Lurch are worlds apart, even if they’re from the same Mexican neighborhood in West Los Angeles. Mikey just graduated from UCLA and is determined to get out. Lurch, the leader of the Culver City gang, loves the hood—its projects, beat-up apartments and crackheads—more than his own life. They hook up with a doctor, who is from the same area. He put himself through medical school selling dope and now is back, running a clinic across from the Mar Vista Gardens housing project. All three notice changes. Suddenly there are outsiders everywhere: white people with beards, wearing V-neck sweaters and plaid shirts, running in jogging outfits or riding bikes with helmets, oblivious to t...
Enclave is Tato LavieraÍs second book of verse. As in his successful La Carreta Made a U-Turn, Laviera celebrates the Puerto Rican experience in New York. While the earlier book focuses on events and scenes, Enclave concentrates on the individual. Laviera provides a gallery of portraits of the indomitable inhabitants of the enclave, whose lives are evoked through the soulful rhythmic songs ñen clave.î
In Tato LavieraÍs third collection, poems celebrate the array of stripes and colors making up the American people. In the beginning section, ñEthnic Tributes,î Laviera crafts poems with titles like, ñarab,î ñblack,î ñchinese,î ñgreek,î ñjamaican,î ñspanish,î and ñmundo-world.î In ñboricua,î he fashions a timely plea for an end to prejudice, saying that for Puerto Ricans ñ. . . color is generally color-blind/with us, thatÍs our contribution, all/ the colors are tied/to our one.î The latter two sections of the collection, ñValuesî and ñPoliticsî build on the themes of ethnic exchange and the place of the boriqueÐo in that greater scheme. In ñcommonwealth,î Laviera ...
In this special bilingual picture book for children, acclaimed author Pat Mora imagines how the Mexican custom of remembering deceased loved ones on El da de los muertos, or the Day of the Dead, came to be. With tender illustrations by Robert Casilla that depict a special relationship, this book will encourage children to honor their own loved ones, whether by writing stories and poems or building an altar.
In the prologue to this inventive collection, the exhausted protagonist finally reaches the doors to paradise after an arduous journey, but the longed-for entrance doesn’t have a handle or keyhole and there’s no bell or intercom. He considers climbing over it, but the wall reaches to the sky. He thinks of magic words that might open it and even kicks it, to no avail. The long, difficult trip has brought him to nothing except a concrete wall surrounded by desert. The characters in these seventeen stories find themselves with their backs against the wall, whether literally or figuratively. They run the gamut from undocumented immigrants to faded rock and soap-opera stars and even the Washi...