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Arthur d'Arazien's particular talent was to photograph American industry. He recorded with artistry, precision, and passion the powerful, emotional impact of giant machines, immense structures, and complex artifacts. His photographs are the result of meticulous planning and implementation on a grand scale. He was an experimenter and an innovator, pioneering such techniques as multiple exposures on a single sheet of film; lights in motion in the dark; and the use of reflectors, flash powder, and strobe lights to illuminate huge interior and exterior spaces. He experimented with films, cameras, lenses, focus, exposure, filters, and lighting to achieve just the right effects. D'Arazien grew up in New York City, where he attended Cooper Union Institute. He became assistant to theatrical photographer George Lucas, from whom he learned the principles of lighting and stage craft that were later to become his specialty. During World War II he served as an instructor in aerial photography for the Army Air Corps, and there he learned to use magnesium flash powder to light huge exterior expanses. Following the war, d'Arazien began a distinguished career as an industrial photographer, making p
"Portraits in Steel is the authors' effort to help explain and to save something of the heritage of a once-vital company and to portray its wide-ranging impact on the local and national community."--BOOK JACKET.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Popular Science gives our readers the information and tools to improve their technology and their world. The core belief that Popular Science and our readers share: The future is going to be better, and science and technology are the driving forces that will help make it better.
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Irving Penn (1917-2009) was among the most esteemed and influential photographers of the twentieth century. Over the course of a nearly seventy-year career, he mastered a pared-down aesthetic of studio photography that is distinguished for its meticulous attention to composition, nuance, and detail. This indispensable book features one of the largest selections of Penn's photographers ever compiled–nearly 300 in all–including famous and beloved images as well as works that have never been published. Celebrating the centennial of Penn's birth, this lavish volume spans the entirety of his groundbreaking career. An enlightening introduction situates his work in the context of the various ar...
This book continues the overview of early pianos begun in Clinkscale's Makers of the Piano 1700-1820 (OUP, 1993). Although a few of the biographies overlap, the majority of the makers are completely new. Approximately 2,400 makers and manufacturers and about 2,200 pianos are listed. Of this total, about 645 are English, the majority of whom were active in London; more than 200 of the London makers have not been discussed in previous publications.
Describes the American revolution and gives brief biographical sketches of important leaders of the time.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.