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Arthur Grossman finds most of the images for his photographs in the weathered surfaces of small marine vessels dry-docked in Pacific Northwest boatyards. His ability to coax evocative form from chance encounters with found objects places his work in the intersection between pictorial and documentary photography: his images are both an unmanipulated record of reality and subjective expression, distinguished by highly saturated color, centralized or symmetrical ordering of form, and calligraphic marking.
Biographic Memoirs Volume 88 contains the biographies of deceased members of the National Academy of Sciences and bibliographies of their published works. Each biographical essay was written by a member of the Academy familiar with the professional career of the deceased. For historical and bibliographical purposes, these volumes are worth returning to time and again.
Final issue of each volume includes table of cases reported in the volume.
The Thing. Daredevil. Captain Marvel. The Human Fly. Drawing on DC and Marvel comics from the 1950s to the 1990s and marshaling insights from three burgeoning fields of inquiry in the humanities—disability studies, death and dying studies, and comics studies—José Alaniz seeks to redefine the contemporary understanding of the superhero. Beginning in the Silver Age, the genre increasingly challenged and complicated its hypermasculine, quasi-eugenicist biases through such disabled figures as Ben Grimm/The Thing, Matt Murdock/Daredevil, and the Doom Patrol. Alaniz traces how the superhero became increasingly vulnerable, ill, and mortal in this era. He then proceeds to a reinterpretation of ...
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The treatise is the first coherent and comprehensive presentation of the important sub-field of "technology entrepreneurship" emphasizing the science and engineering perspectives. It is a presentation of technology entrepreneurship as an inter-cultural approach referring to the US and Germany. It integrates micro- and macro aspects referring to numerous cases of firms' foundations. The book provides also a new semi-quantitative approach to growth of new technology ventures.
Collects Captain America (1968) #267-285, Captain America Annual (1971) #6, Defenders (1972) #106. The son of Zemo! Baron Helmut Zemo has taken up his father’s villainous mantle — and targeted Captain America in a complex plan of revenge! As Cap battles the existential threat of Everyman, Steve Rogers’ childhood friend Arnie Roth resurfaces — but he’s in deadly danger! Vermin strikes and Zemo’s trap is sprung, but can Cap save Arnie from Zemo’s clutches? Meanwhile, when Hydra crashes a reunion of the Howling Commandos, the aging heroes go to war once again! Cap’s girlfriend, Bernie Rosenthal, makes a startling realization! The Falcon struggles to reconcile his past and future! And the 1950s Bucky must rescue a brainwashed Cap from Viper’s fangs! Plus: Four Captain Americas are united across time — but can even their combined power keep death at bay?
Lemmon’s scenes are alternately funny, sad, wild, tender, adding up to the rollicking story of the boy with the face that any mother could love who became the man who had the “grace to make a fool of himself” and the talent to pull it off. Packed with outrageous tales that never made the pages of Variety or the Hollywood gossip columns, Lemmon sparkles with the verve and humor characteristic of his most memorable stage and screen performances. Lemmon is far more than a biography of the lovable, bumbling “loser” who “falls on a fumble into the end zone and wins the game.” It is a front-row view of the long pull towards stardom that an outstanding actor, equally skilled at comedy and serious drama, richly deserved. And maintains.
At the turn of the 21st century, the most valuable commodity in society is knowledge--particularly new knowledge that may give a culture, company, or laboratory an adaptive advantage. Knowledge about the cognitive processes that lead to discovery and invention can enhance the probability of making valuable new discoveries and inventions. Such knowledge needs to be made widely available to ensure that no particular interest group "corners the market" on techno-scientific creativity. Knowledge can also facilitate the development of business strategies and social policies based on a genuine understanding of the creative process. Furthermore, through an understanding of principles underlying the...