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This book by internationally known writer, composer, teacher and lecturer Seymour Bernstein expounds upon topics touched on in his bestseller With Your Own Two Hands (HL50482589). Bernstein teaches readers the truth about performing careers, offering insights and advice on both personal and musical issues. In Part 2, he discusses the importance of music education, covering both "monster" and "angel" teachers, managers and critics. Bernstein believes that everyone has a right to develop whatever talent they have, for self-fulfillment and self-development, if not necessarily for a career.
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Missionary Diplomacy illuminates the crucial place of religion in nineteenth-century American diplomacy. From the 1810s through the 1920s, Protestant missionaries positioned themselves as key experts in the development of American relations in Asia, Africa, the Pacific, and the Middle East. Missionaries served as consuls, translators, and occasional trouble-makers who forced the State Department to take actions it otherwise would have avoided. Yet as decades passed, more Americans began to question the propriety of missionaries' power. Were missionaries serving the interests of American diplomacy? Or were they creating unnecessary problems? As Emily Conroy-Krutz demonstrates, they were doing...
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
This biography charts the career and legacy of the pioneering American music manager Arthur Judson (1881–1975), who rose to prominence in Philadelphia and New York at the beginning of the twentieth century. A violinist by training, Judson became manager of the Philadelphia Orchestra in 1915 under the iconic conductor Leopold Stokowski. Within a few years, Judson also took on management of the New York Philharmonic, navigating a period of change and the tenures of several important conductors who included William Mengelberg, Arturo Toscanini, and John Barbirolli. Judson also began managing individual artists, including pianists Alfred Cortot and Vladimir Horowitz, violinist Jasha Heifetz, a...
German born pianist Menahem Pressler (1923) was forced to flee Nazi terror to Israel. He quickly attained international fame in 1946 by winning the Debussy Competition in San Francisco and performing his début with Eugene Ormandy and The Philadelphia Orchestra. Ultimately emigrating to the United States, Pressler teaches at the Jacobs School of Music of Indiana University where he holds an endowed chair as Distinguished Professor. As founding member of the Beaux Arts Trio, he alone survived the ensemble’s changes in membership during its unprecedented 53 year history. ‘Setting the standard’ for piano trio performance, the Beaux Arts Trio elevated the ensemble type to a par with the string quartet in over seven thousand performances, hundreds of award-winning recordings and extensive broadcasts.
Marian Anderson was a woman with two disparate voices. The first - a powerful, majestic contralto spanning four octaves - catapulted her from Philadelphia poverty to international fame. A second, softer voice emanated from her mere presence. This study of Anderson's life features separate appendices for Anderson's repertory and discography.
Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor. Drawing on ...
A cultural and social study of the origins and evolution of “rocknroll”.
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