Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Indians
Cast in the style of a vaudeville Wild West Show, this highly theatrical play explores the theme of Americas mistreatment of the indigenious tribes was a celebrated hit on Broadway starring Stacy Keach. The hero is Buffalo Bill, whose life is defined and destroyed by an unfulfilled vision. Like all tragic heroes he has a fatal character flaw: he knows and loves the Native Americans, but craves money and fame. He helps destroy the buffalo herds, reducing the Native Americans to starvation. Ultimately, ambition leads him to even greater cruelty, destroying both the tribes and himself.
Wings
This remarkable play starred Constance Cummings in a Tony-winning performance on Broadway. Emily Stilson, seventy years old and a celebrated former aviatrix and stunt pilot, suffers a stroke and is plunged into a world of disorientation and grief. Memories flood in between painful attempts to relearn the basic functions of everyday life. Aided by a dedicated young therapist, Emily's flights of memory and emotion create an evocative portrait of the ability of the human spirit to renew and survive
Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feelin' So Sad
Full Length, Black Comedy / Casting: 4m, 2f, extras / Scenery: 2 int. Wealthy, overbearing Madame Rosepettle with her stuttering, awkward son Jonathan at her heels, arrives at a posh hotel with a man-eating tropical plant, pirahna fish and coffin in tow. Rosalie, a voluptuous babysitter from the couple next door "who never come home" attempts to seduce Jonathan and proves a formidable opponent to Madame herself.
Road to Nirvana
None
End of the World
None
The Day the Whores Came Out to Play Tennis
Comedy Characters: 6 male Interior Set Despite the title, it has intense meaning for these times. The scene is a room in a wealthy country club, to which the men's committee is hastily summoned early one morning after a carousing dance. Problem: what to do about the 16 luscious but low life females who drove up in a Rolls Royces and then proceeded to the tennis courts, where they are now disporting. While the committee huddles, we learn that they are the vulgar, crass peopl
Wings
The shattered world of a woman who has suffered a stroke. She is plunged into her confused mind trying to come to terms and rediscover reality.
The Cambridge Introduction to Theatre and Literature of the Absurd
Michael Y. Bennett's accessible Introduction explains the complex, multidimensional nature of the works and writers associated with the absurd - a label placed upon a number of writers who revolted against traditional theatre and literature in both similar and widely different ways. Setting the movement in its historical, intellectual and cultural contexts, Bennett provides an in-depth overview of absurdism and its key figures in theatre and literature, from Samuel Beckett and Harold Pinter to Tom Stoppard. Chapters reveal the movement's origins, development and present-day influence upon popular culture around the world, employing the latest research to this often challenging area of study in a balanced and authoritative approach. Essential reading for students of literature and theatre, this book provides the necessary tools to interpret and develop the study of a movement associated with some of the twentieth century's greatest and most influential cultural figures.
Y2k
A married couple in New York City awake one day to discover, in a plot worthy of Kafka or Orwell, that their private lives are no longer private. Even more frightening, their lives seem to bear no relation to anything they knew. An edgy, erotically charged information-age thriller, this new play by award-winning playwright Arthur Kopit exposes the control that computers can have over our lives, morality, even bank accounts. Acclaimed by the critics as the best new play at the 1999 Humana Fesitval of New American Plays in Louisville, it is one of the major productions in the Manhattan Theatre Club's 1999-2000 season in New York.
