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The Immortal Count
This definitive biography of the silver screen legend is “a moving, lively, witty, sad book that revives once more the long dead Count Dracula” (Kirkus Reviews). Bela Lugosi won immediate fame for his starring role in the 1931 film Dracula—the role that would forever define his persona. After a decade of trying to broaden his range, Lugosi resigned himself to a career as the world's most recognizable vampire, often playing opposite his horror film rival Boris Karloff. When he died in 1956, Lugosi could not have known that vindication of his talent would come—his face would adorn theaters and his Hungarian accent would be instantly recognized across the globe. In 1974, silent film expert Arthur Lennig published The Count, a highly regarded biography of the unsung actor. Now Lennig returns to his subject with a completely revised volume more than twice the length of the original. The Immortal Count provides deeper insights into Lugosi's films and personality. Drawing upon personal interviews, studio memos, shooting scripts, research in Romania and Hungary, and his own recollections, Lennig has written the definitive account of Lugosi's tragic life.
Up from the Vault
A number of thrillers made in the 1920s and 1930s have become available again thanks to new technology. There are a few, however, that remain elusive to most, if not all, movie buffs. This book covers 21 thrillers from those decades that are well-regarded and eagerly sought, but difficult to find--The Mystery of Dr. Fu Manchu (1923), The Unknown Purple (1923), The Sorrows of Satan (1926), While London Sleeps (1926), The Monkey Talks (1927), The Chinese Parrot (1927), Stark Mad (1929), The Unholy Night (1929), High Treason (1929), The Spider (1931), Eran Trece (1931), The Monkey's Paw (1933), Trick for Trick (1933), Deluge (1933), The Vanishing Shadow (1934), The Witching Hour (1934), Double Door (1934), Black Moon (1934), Le Golem (1936), The Scarab Murder Case (1937), and Sh! The Octopus (1937). For each film, the author provides such details as the production company, running time, release date(s), cast and production credits, a synopsis, and commentary.
American History through Hollywood Film
American History through Hollywood Film offers a new perspective on major issues in American history from the 1770s to the end of the twentieth century and explores how they have been represented in film. Melvyn Stokes examines how and why representation has changed over time, looking at the origins, underlying assumptions, production, and reception of an important cross-section of historical films. Chapters deal with key events in American history including the American Revolution, the Civil War and its legacy, the Great Depression, and the anti-communism of the Cold War era. Major themes such as ethnicity, slavery, Native Americans and Jewish immigrants are covered and a final chapter looks at the way the 1960s and 70s have been dealt with by Hollywood. This book is essential reading for anyone studying American history and the relationship between history and film.
Von
As a revised edition of Koszarski's The Man You Loved to Hate, this biography takes into account information unearthed by researchers in France and Austria that had previously been ignored. This material enables the biography to bring the pioneering film director into sharper focus.
In the Shadow of The Birth of a Nation
This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations.
Nitrate Won_Ñét Wait
This study looks at the preservation process: newsreel, television, and color preservation; the often controversial issue of colorization; and commercial film archives. It provides detailed histories of the major players in the preservation battle including the International Museum of Photography at George Eastman House, the American Film Institute, the Museum of Modern Art, the UCLA Film and Television Archive, and the Library of Congress. This first historical overview of film preservation in the United States is also highly controversial in its exposure and criticism of the politicization of film preservation in recent years, and the rising bureaucracy which has often lost sight of preservation and restoration as the ultimate purpose of film archives.
Stroheim
"A painstakingly researched portrait of Stroheim's genius on both sides of the camera and his failed quest to triumph over the Hollywood system"--P. [4] of cover.
American Silent Horror, Science Fiction and Fantasy Feature Films, 1913-1929
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
The Vampire in Folklore, History, Literature, Film and Television
This comprehensive bibliography covers writings about vampires and related creatures from the 19th century to the present. More than 6,000 entries document the vampire's penetration of Western culture, from scholarly discourse, to popular culture, politics and cook books. Sections by topic list works covering various aspects, including general sources, folklore and history, vampires in literature, music and art, metaphorical vampires and the contemporary vampire community. Vampires from film and television--from Bela Lugosi's Dracula to Buffy the Vampire Slayer, True Blood and the Twilight Saga--are well represented.
Hearings
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