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The New Dialectic and Marx's Capital
This book argues that the dialectic of Marx's Capital has a systematic, rather than historical, character. It sheds new light on Marx's great work, while going beyond it in many respects.
Son of Groucho
An intimate and candid portrait of the great comedian by the man who know him best. This book abounds with vignettes of the celebrities drawn into the Marx orbit with close-ups of Groucho's famous siblings and of his three wives.
The Ever-Changing B Movie and Other Imaginings
The flash fictions in The Ever-Changing B Movie are diverse glimpses of characters or situations. Most of them are full of loose ends and can't be neatly tied up at the end and satisfactorily explained. When it comes to the book's technique specifically, description the author agrees wholeheartedly with what Elmore Leonard once said, "I like a lot of talking in a book . . . I like some description but not too much of that."
Arthur Marx's Groucho
As the son of the worlds funniest comedian, Arthur Marx had an insiders view of the ever-changing landscape of American entertainment. Arthur Marxs GROUCHO offers never before seen images of his legendary family and the Hollywood scene of the th cent
Time in Marx
This book demonstrates that the basic concepts of the three volumes of Capital come under different categories of time: "time of production" in the first volume is linear, “time of circulation” in the second is circular, while in the third volume “organic time” is the unity of the two. Capitalist relations emerge as a definite organisation of social time that obeys its own intrinsic criteria and operates as an autonomous, social subject. Reading Capital from this perspective, it becomes possible to restore its dialectical (Hegelian) logic – not in order to reveal the “real” Marx, but as a means to contribute to the understanding of the real, capitalist world with its present-day fetishes, its explosive contradictions and its ever deeper crises.
Groucho
This inspired bio musical about The One and Only begins with Groucho as an old man doing his famous Carnegie Hall show. It then goes back to the beginnings of the Marx Brothers and their struggles to make it in vaudeville their rise to stardom and their eventual break up. All classic Groucho songs are included. One actor plays Groucho another plays Chico and Harpo and one actress plays all the wives girlfriends and Margaret Dumont. A hit in New York across the U.S. and in London this show will delight Marx Brothers fans and the as yet uninitiated.
Karl Marx on Technology and Alienation
The author draws on lesser known archival materials, including Marx's notebooks on women and patriarchy and technology to offer a new interpretation of Marx's concept of alienation as this concept develops in his later works.
The Circulation of Capital
The second volume of Marx's Capital is entitled The Circulation of Capital . Here a collection of original essays, by internationally known scholars, treat its themes, bringing to bear on all its parts the latest textual findings, methodological resources and accumulated knowledge of Marxian theory. The result repairs the unjustified neglect of this volume in the literature on Marx and will awaken new interest in it among economists, philosophers and social theorists.
The Mismeasure of Wealth
The Mismeasure of Wealth: Essays on Marx and Social Form gathers Patrick Murray’s essays reinterpreting Marx and Marxian theory published since his Marx’s Theory of Scientific Knowledge (1988), along with a previously unpublished essay and an introduction. Murray’s essays concentrate on Marx the historical materialist, the investigator of historically specific social forms of wealth and labour. There is no production in general; the production of wealth always involves specific social forms and purposes that matter in many ways. Marx’s attention to the dynamics and far-reaching consequences of historically specific social forms – in particular those that are constitutive of the capitalist mode of production – sets him off from classical political economy and traditional Marxism. In probing Marx’s dialectical accounts of the commodity, value, money, surplus value, wage labour and capital, The Mismeasure of Wealth establishes Marx’s singular relevance for critical social theory today.
The Marx Brothers and America
The ground has shifted from the days in which "serious history" and "boring" went hand in glove. Textbooks and lectures have their place, but less traditional classrooms can be powerfully immersive and insightful. Take the 1929 Marx Brothers film The Cocoanuts and what it teaches about both the Great Depression and early sound films. The Marx Brothers are among the funniest comedy teams of all time. Four of their 13 films are on the American Film Institute's list of the 100 greatest American comedies ever made. For many contemporary viewers, though, "getting" the jokes is not always easy because the humor can be subjective and timebound. This work looks at the American past through the lens of the Marx Brothers' films and other projects. Each of the chapters focuses on a specific film, contextualizing the world at the time and how the Marx Brothers lampooned those subjects. Along the way, the book demonstrates what the Marx Brothers revealed about weighty topics like gambling, gender relations, immigration, medical care, Prohibition, race and war, all leavened with offbeat humor.
