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Arthur Yap published four major collections of poetry: Only Lines (1971), Commonplace (1977), Down the Line (1980), and Man Snake Apple & Other Poems (1986); and contributed a section of poetry in the anthology Five Takes (1974). These five publications are now out-of-print. The Collected Poems of Arthur Yap gathers the entire corpus of Arthur Yap's poems, including his "vignettes" and other poems, in a single volume for the first time.
This collection of essays on the Singaporean writer and artist Arthur Yap is dedicated to his multifaceted creative work and makes it accessible to both general and academic readers. It features new and innovative essays on Yap’s prose, poetry and paintings by an international group of scholars and critics. The essays approach Yap’s work through literary and analytical methods drawn from postcolonial criticism, ecocriticism, studies of urban spaces, visual art and sexuality, with particular consideration for how his work contributes to a specifically Singaporean form of postcolonial critique.
This volume marks the recovery and first combined publication of the stories of Arthur Yap (1943-2006). One of Singapore's most important artists, he was an award-winning poet and an accomplished painter. A hitherto neglected facet of Yap's opus, his eight short stories are deceptive in their simplicity, housing within their sparse prose a complex engagement with Singapore society from which he wrote. With his signature minimalistic style, Yap simultaneously perplexes readers with stories of seemingly plotless ambiguity, yet draws them in with familiar characters playing out situations that still resonate in twenty-first century Singapore today. Angus Whitehead's introduction highlights literary nuances in the stories and frames the stories within the wider backdrop of social change of Singapore at the time of Yap's writing. The meticulous critical apparatus make this book of interest to not only the general reader but also students of Singapore and Southeast Asian literature in English.
This volume marks the recovery and first combined publication of the stories of Arthur Yap, one of Singapore's most accomplished and important writers. A hitherto neglected facet of Yap's opus, his eight short stories are deceptive in their simplicity, housing within their sparse prose a complex engagement with Singapore society from which he wrote. With his signature minimalistic style, Yap simultaneously perplexes readers with stories of seemingly plotless ambiguity, yet draws them in with familiar characters playing out situations that still resonate in twenty-first century Singapore today. Angus Whitehead's introduction highlights literary nuances in the stories and frames the stories within the wider backdrop of social change of Singapore at the time of Yap's writing. The meticulous critical apparatus make this book of interest to not only the general reader but also students of Singapore and Southeast Asian literature in English.
This charmingly illustrated and thought-provoking picture book introduces children to one of Arthur Yap's most beloved poems in which two mothers in a HDB playground engage in a spirited conversation in Singlish. From exchanging parenting tips to describing their wealth—these mothers have much to say! Discover timeless Singaporean poems in our new series, Poems to Keep.
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Timing is Everything At the core of Date Selection practise resides the idea of 'doing the right thing, at the right time'. With Personal Date Selection, you can learn how to infuse positive energies present at a specific time into any activity you're embarking to have greater chances of success. From signing business contracts, to moving into a new house, or to making a marriage proposal - a good auspicious date is nothing but essential to the make-or-break of these important endeavours.
This collection brings together a range of poems from Arthur Yap's four volumes, only lines, commonplace, down the line, man snake apple as well as from his selection in the anthology Five Takes. The poems are imagistic statements of the natural and the peopled landscape which illuminate and comment on aspects of everyday life in Singapore. This minimalist poetry depicts the author, a leading Singaporean poet, as a fellow victim and wry observer in a spiritual quest extending throughout Asia.