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Art historians have long been accustomed to thinking about art and artists in terms of national traditions. This volume takes a different approach, suggesting instead that a history of art based on national divisions often obscures the processes of cultural appropriation and global exchange that shaped the visual arts of Europe in fundamental ways between 1492 and the early twentieth century. Essays here analyze distinct zones of contact--between various European states, between Asia and Europe, or between Europe and so-called primitive cultures in Africa, the Americas, and the South Pacific--focusing mainly but not exclusively on painting, drawing, or the decorative arts. Each case foregrou...
Most of the papers in this volume were presented at the CATS international technical art history conference in June 2019 titled Mobility Creates Masters - Discovering Artists' Grounds 1550-1700, which explored the introduction of, and change to, the colored ground layers in European paintings form the Early Modern period. The title of the conference stemmed from the desire to instigate new research projects within the topic of the influence of artists' mobility on material choices and techniques related to the preparation of paintings. As well as contributions presented at the conference, this volume includes additional papers from recent research exploring the same topic. The volume begins ...
This volume offers a thematic exploration of the migrant artist’s experience in Europe and its colonies from the early modern period through to the Industrial Revolution. The influence of the transient artist, both on their adoptive country as well as their own oeuvre and native culture, is considered through a collection of essays arranged according to geographic location. The contributions here examine the impetuses behind artistic migrations and the status of the foreign artist at home and abroad through the patterns of patronage, contemporary responses to their work and the preservation of their artistic legacy in domestic and foreign settings. Objects and sites from across the visual arts are considered as evidence of the migrant artist’s experience; talismans of cultural exchange that yielded hybrid artistic styles and disseminated foreign tastes and workshop practices across the globe.
1. The book is the first devoted to the topic of women artists across the courts of early modern Europe. 2. The essays consider women artists and their experiences in a variety of European courts, in Italy, Flanders, Spain, and England. 3. The essays included address a variety of forms of artistic production by women in the courts, including large and small-scale paintings, sculpture, prints, and textiles.
One hundred extraordinary artists representing many European cities, each with its own and often uniquely inspiring graffiti scene, including London, Amsterdam, Paris, and more. This dense, sprawling portfolio is the product of "modern day documenter" Steam 156's undisputed knowledge of European graffiti, and includes artist profiles, most written by the artists themselves, crew affiliations, locations, the year they started, details about style, influences, and characteristic strokes, contours, and angles, with hundreds of photos in all. A medium of powerful, youthful, artistic expression, graffiti spread rampantly across Europe in the early 1980s--and has never ceased. Cities across the continent are now hosts to halls of fame, abandoned spaces, and streets full of incredible work by artists, featured in this book, who are carrying the art form boldly into the future and expanding its influence even further.
The book analyses the collective career of the artistic profession in Brno and Vilnius and the necessity to copy the behavior of the elites of the Old Regime. The "noble" values, which shaped the artistic careers in the 19th century press, were charity, good taste, cosmopolitism and patriotism. The newspaper discourse disposed potential to integrate and to smuggle novelties by exposing old values.
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
"Famous European Artists" by Sarah Knowles Bolton takes readers through the lives of the most notable European artists through the end of the 19th century. Michaelangelo, Leonardo da Vinci, Raphael of Urbino, Titian, Murillo, Rubens, Rembrandt, Sir Joshua Reynolds, Sir Edwin Landseer, and Turner are all honored in this text. By reading about the lives of these great painters and sculptors, their art is able to be brought to life.