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India
This book presents 48 contemporary artists and collectives working in dialogue with the long history and emergent future of India and its people. Its focus lies on the contemporary moment through a range of approaches, including art photography, new media, installation, moving image, journalism, and documentary photography. Themes include caste and class, the partitioning of the subcontinent, gender and sexuality, activism and conflict, racism, religion, nationalism, new technologies and development, the environment, human settlement, migration, and integration.
Rembrandt and the Inspiration of India
This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Postwar Modern
This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, ...
India
Contemporary art in India has enjoyed a tremendous flourishing since the early 1990s, thanks in part to the country's economic growth and the increased availability of media technology. As Indian artists establish an ever-stronger presence on the global art scene, India: Art Now shows how their negotiations of the global and the local are yielding fascinating fruit. Included here are works by Rina Banerjee, Hemali Bhuta, Atul Dodiya, Sheela Gowda, Shilpa Gupta, Subodh Gupta, Jitish Kallat, Reena Kallat, Rashmi Kaleka, Bharti Kher, Ravinder Reddy, Vivan Sundaram and Thukral and Tagra, among others--artists who have found ways to express the aspirations and conflicts of a new generation, through media varying from painting, sculpture and photography to installation and interactive art. Leading Indian critics, scholars, writers and artists discuss new developments and artistic positions in Indian contemporary art, and its role on the global art scene.
Anthology of Significant Events in Indian Art & Socio-Cultural History 1850-2015
Anthology of Significant Events in Indian Modern Art and Socio-Cultural History is designed as a career-oriented educational book that includes prominent as well as less known, yet relevant socio-cultural events of modern Indian history. This book is particularly useful for faculty and students of art and culture, research scholars and individuals preparing for competitive exams at State and Union level in India. The book can be a valuable addition to the collection of any art, culture, and history enthusiast. The authors have endeavored to keep the content succinct and brief, to maintain the focus on context of events and the related dates and places. The broad subjects covered are Fine Arts, Painting, Music, Poetry, Dance, Sculpture, Theatre, Architecture, Photography, Cinema, and Literature. This anthology offers a comprehensive understanding of events beginning from the colonial era in 1850 and until 2015.
Indian Art at Delhi 1903
The volume is a unique work of documentation of nineteenth-century Indian craftsmanship. The text is enriched with graphic representation of rare specimens of Indian artistry. Its usefulness as gaze-tteer and an ethnogra-phical dictionary makes it invaluable for the students engaged in research of the history of craft and industry in India. The volume is reprinted with a scholarly intro-duction by Dr. Narayani Gupta after eighty years of its first publication. This was first published as a Catalogue and Guide to the Indian Art Exhibition held at Delhi to coincide with the Durbar of 1902-03. Its importance as a valuable book of reference and as a work of scholarship could hardly be appreciated at that time, though the author could visualize its possible future as a simple and practical account of the note-worthy art industries of India. Here, an attempt is made for the first time to associate Indian art-works in a systematic sequence, under certain classes, divisions and sections. The author's aim has primarily been to afford descriptions by which the articles might be severally identified, rather than to furnish traditions and historic details regarding them.
Howard Hodgkin
For popular British artist Howard Hodgkin (b.1932), India has been a source of inspiration since he first visited the country in 1964. Although Hodgkin's collection of Indian art has been featured in various publications, this will be the first to explore the influence of India on his work. The first of Hodgkin's paintings inspired by India, Indian Subject (Blue), 1965-1969, was also the first of his paintings to be painted on wood, rather than canvas. It began a long exploration of paint surface and support that has become a key characteristic of his practice. The book's illustrative journey begins with early works of the 1960s and includes paintings from throughout Hodgkin's career including his most recent. Featuring unpublished archival material, newly commissioned essays and an interview with the artist, this unique publication sheds light on an important strand of Hodgkin's oeuvre and provides valuable insights into his work in general.
Forgotten Masters
As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, this book celebrates the work of a series of extraordinary Indian artists, each with their own style and tastes and agency, all of whom worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the...
The Indian Portrait, 1560-1860
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
