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Black Art in Brazil
An examination of the work of five contemporary Brazilian artists, specifically on how they focus on secular, race-related social challenges.
Brazilian Art Under Dictatorship
After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language of resistance, outside government-controlled cultural centers or the militant left.
Capoeira
Originally the preserve of Afro-Brazilian slaves, the marginalized and the underclasses in Brazilian society, capoeira is now a mainstream sport, taught in Brazilian schools and practised by a range of social classes around the world. Some advocates now seek Olympic recognition for Capoeira. This apparent change in the meaning and purpose of Capeoira has led to conflicts between traditionalists, who view capoeira as their heritage descended from the maroons, a weapon to be used against the injustice and repression; and reformers, who wish to see Capoeira develop as an international sport. Capoeira: The History of Afro-Brazilian Martial Art explores Capoeira as a field of confrontation where the different struggles that divide Brazilian society are played out. It contains both the first comprehensive English language review of archive and contemporary literature relating to Capoeira, as well as the first scholarly account of Capoeira's history and development.
Learning from Madness
Throughout the history of European modernism, philosophers and artists have been fascinated by madness. Something different happened in Brazil, however, with the “art of the insane” that flourished within the modernist movements there. From the 1920s to the 1960s, the direction and creation of art by the mentally ill was actively encouraged by prominent figures in both medicine and art criticism, which led to a much wider appreciation among the curators of major institutions of modern art in Brazil, where pieces are included in important exhibitions and collections. Kaira M. Cabañas shows that at the center of this advocacy stood such significant proponents as psychiatrists Osório Cés...
Contemporary Art Brazil
Brazil is experiencing an exciting blossoming of culture across many areas. 'Contemporary Art Brazil' focuses on 110 of the country's most important practitioners in the realm of the fine arts, including artists, gallerists, heads of institutions, critical thinkers and collectors.
Introduction to Brazil
Brazil is a country located in South America and it is the largest nation on the continent. It is also the fifth largest country in the world by both land area and population, with over 209 million people residing in its 26 states. Brazil is known for its rich culture, diverse population, and natural wonders such as the Amazon rainforest and Iguazu Falls. The country has a mixed economy with agriculture, manufacturing, and the service industry being its main sectors. It is also home to several globally recognized brands such as Petrobras, Vale, and Embraer. Brazil is also known for its vibrant music and dance scene, with samba being one of the most popular cultural exports from the country. Despite its many accomplishments, Brazil continues to face challenges such as inequality, poverty, and ongoing issues with corruption.
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Constructing an Avant-Garde
How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil’s avant-garde. His discussion covers not only widely...
Contracultura
Christopher Dunn's history of authoritarian Brazil exposes the inventive cultural production and intense social transformations that emerged during the rule of an iron-fisted military regime during the sixties and seventies. The Brazilian contracultura was a complex and multifaceted phenomenon that developed alongside the ascent of hardline forces within the regime in the late 1960s. Focusing on urban, middle-class Brazilians often inspired by the international counterculture that flourished in the United States and parts of western Europe, Dunn shows how new understandings of race, gender, sexuality, and citizenship erupted under even the most oppressive political conditions. Dunn reveals p...
