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This book traces the influence of the changing political environment on Czech art, criticism, history, and theory between 1895 and 1939, looking beyond the avant-garde to the peripheries of modern art. The period is marked by radical political changes, the formation of national and regional identities, and the rise of modernism in Central Europe – specifically, the collapse of Austria-Hungary and the creation of the new democratic state of Czechoslovakia. Marta Filipová studies the way in which narratives of modern art were formed in a constant negotiation and dialogue between an effort to be international and a desire to remain authentically local.
This is the first ever in-depth interpretation of Czech Action Art as a vast and very original stream of Czech post-war art within the context of the region's complex socio-political history. Based on the author's more than decade-long research, her interviews with artists and interpretations of many of their performances and other actions, Czech Action Art also features a list of all Czech happenings, events, performances, body-art pieces, land-art related and other actions from the 1960s to 1989."--Page [4] of cover.
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This collection examines how the Society of Jesus used art and architecture in its missionary efforts in the Lands of the Bohemian Crown from the sixteenth century to the eighteenth. The Jesuits used a variety of visual media to re-invigorate the cult of miraculous images, saints, and local Catholic customs in the Central European region, where a tradition of religious dissent went back to the legendary Hussites of the 15th century. Jesuit art is seen as resulting from the transfer, local adaptation, and visualization of ideas about image theology, the order's global mission, its self-promotion, and the construction of the religious past. Examining the architecture, statues, images, murals, and decorative programs of Jesuit complexes and other visual media (devotional prints, medieval images), the essays here demonstrate how the Jesuit Order cultivated the subjects and functions of art to promote concepts of Catholic piety as they grew into one of the most successful agents of Catholic Reform in the Bohemian kingdom.
Dealing with not only specific artists in the context of their national identity, but also with overarching themes in the rise of modernism, Czech Modern Painters is an articulate and well-researched overview of modern art styles from the former Czechoslovakia, focusing on impressionism, the Art Nouveau movement, and cubism. This study covers three generations of artists who changed the landscape of traditional art at the turn of the twentieth century, and looks specifically at how these artists pushed the boundaries of and came into conflict with the work of their predecessors. To do so, Petr Wittlich has combed through each artist's work in art school, galleries, and new art journals, whil...
This exhaustive catalog includes full textual and pictorial documentation.