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"Agata Anna Lisiak shows in her book Urban Cultures in (Post)colonial Central Europe how the postcolonial idea, developed recently to study Central and East European culture, can help us see the transformations of cities in the region. Lisiak argues that Berlin, Budapest Warsaw, and Prague are incubated cultures whose deepest forces were shadowy and ironic."-Marshall Berman, City University of New York.
Izydora Dąmbska (1904-1982) was a Polish philosopher; a student of Kazimierz Twardowski, and his last assistant. Her output consists of almost 300 publications. The main domains of her research were semiotics, epistemology and broadly understood methodology as well as axiology and history of philosophy. Dąmbska’s approach to philosophical problems reflected tendencies that were characteristic of the Lvov-Warsaw School. She applied high methodological standards but has never limited the domain of analyzed problems in advance. The present volume includes twenty-eight translations of her representative papers. As one of her pupils rightly wrote: “Dąmbska’s works may help everyone [...] to think clearly. Her attitude of an unshaken philosopher may help anyone to hold oneself straight, and, if necessary, to get up after a fall”.
Examines Polish and Jewish perceptions of the rapprochement culminating in Polish national insurrection against Czarist Russia in 1863.
Ogres are harrowing creatures with roots in European storytelling. They have evolved through various tales from around the world. Today, they appear in timeless movies and role-playing games. This book discusses the history of ogres, the fables that defined them, and their place in society today.
A Book of European Writers A-Z By Country Published on June 12, 2014 in USA.
Polish Theatre Revisited explores nineteenth-century Polish theatre through the lens of theatre audiences. Agata Łuksza places special emphasis on the most engaged spectators, known as “theatremaniacs”—from what they wore, to what they bought, to what they ate. Her source material is elusive ephemera from fans’ lives, such as notes scribbled on a weekly list of shows in the Warsaw theatres, collections of theatre postcards, and recipes for sweets named after famous actors. The fannish behavior of theatremaniacs was usually deemed excessive or in poor taste by people in positions of power, as it clashed with the ongoing embourgeoisement of the theatre and the disciplining of audiences. Nevertheless, the theatre was one of the key areas where early fan cultures emerged, and theatremaniacs indulged in diverse fan practices in opposition to the forces reforming the theatre and its spectatorship.
Translated from the Polish, Anna G. PiotrowskaÕs Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The author explores the stimulating influence that Gypsy music had on a variety of European musical forms, including opera, vaudeville, ballet, and vocal and instrumental compositions. The author analyzes the use of Gypsy themes and idioms in the music of recognized giants such as Bizet, Strauss, and Paderewski, detailing the composersÕ use of scale, form, motivic presentations, and rhythmic tendencies, and also discusses the impact of Gypsy music on emerging national musical forms.
For most of the last four centuries, the broad expanse of territory between the Baltic and the Black Seas, known since the Enlightenment as "Eastern Europe," has been home to the world's largest Jewish population. The Jews of Poland, Russia, Lithuania, Galicia, Romania, and Ukraine were prodigious generators of modern Jewish culture. Their volatile blend of religious traditionalism and precocious quests for collective self-emancipation lies at the heart of Culture Front. This volume brings together contributions by both historians and literary scholars to take readers on a journey across the cultural history of East European Jewry from the mid-seventeenth century to the present. The articles...
Monografia polsko-żydowskiego tygodnika „Izraelita” ma walor pracy pionierskiej, ważnej dla ogólnego obrazu polskiej i żydowskiej kultury oraz społeczeństwa w pięciu postyczniowych, popowstaniowych dekadach. W dotychczasowych badaniach, zarówno krajowych, jak i zagranicznych, „Izraelita” stanowił bowiem wyłącznie źródło wykorzystywane w studiach nad politycznymi, społecznymi i kulturalnymi dziejami społeczności żydowskiej w Królestwie. Książka Zuzanny Kołodziejskiej przynosi natomiast pierwszy całościowy i wielostronny opis tygodnika, koryguje utrzymujące się długo i uporczywie błędne opinie oraz ustala dotyczące go podstawowe fakty – w tym tak rudymen...