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Economics of Good and Evil
Tomas Sedlacek has shaken the study of economics as few ever have. Named one of the "Young Guns" and one of the "five hot minds in economics" by the Yale Economic Review, he serves on the National Economic Council in Prague, where his provocative writing has achieved bestseller status. How has he done it? By arguing a simple, almost heretical proposition: economics is ultimately about good and evil. In The Economics of Good and Evil, Sedlacek radically rethinks his field, challenging our assumptions about the world. Economics is touted as a science, a value-free mathematical inquiry, he writes, but it's actually a cultural phenomenon, a product of our civilization. It began within philosophy...
The Art of Flamenco
Of contents: The philosophy of flamenco -- The art of flamenco -- Encyclopedia of flamenco -- Appendices.
The Chile Reader
The Chile Reader makes available a rich variety of documents spanning more than five hundred years of Chilean history. Most of the selections are by Chileans; many have never before appeared in English. The history of Chile is rendered from diverse perspectives, including those of Mapuche Indians and Spanish colonists, peasants and aristocrats, feminists and military strongmen, entrepreneurs and workers, and priests and poets. Among the many selections are interviews, travel diaries, letters, diplomatic cables, cartoons, photographs, and song lyrics. Texts and images, each introduced by the editors, provide insights into the ways that Chile's unique geography has shaped its national identity...
Foreign Consular Offices in the United States
A complete and official listing of the foreign consular offices in the United States, and recognized consular officers.
MANANA ES SAN PERON PB
Concerned primarily with the formation of political culture, Plotkin (Universidad Nacional de Tres de Febrero, Argentina) explores the mechanisms of political consent (both active and passive) used by the authoritarian regime of Juan Domingo Peron to maintain and extend its power. Peronist political imagery and the institutional framework that supported the creation of the "symbolic apparatus" are examined. Going beyond traditional explanations that have concentrated on Peron's support among the organized working class, Plotkin looks into his mobilization of marginal sectors of the population (non-unionized workers, women, and the poor). Translated from the 1993 Spanish- language work. Annotation copyrighted by Book News, Inc., Portland, OR.
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