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The Delight of Turkish Dizi
The first comprehensive study of dizi, a television genre unique to Turkey akin to soap opera or telenovela. Standing at the crossroads of folklore, media, and performance studies, Arzu Öztürkmen explores the rise of the dizi genre in Turkey since the 1970s, when national television broadcasting began in the country. The Delight of Turkish Dizi approaches this unique genre--not quite soap opera or telenovela--as an art form that developed with the collective creative input of writers, producers, directors, actors, editors, musicians, and, lately, international distributors. Öztürkmen shows how dizi-making is a marathon run by sprinters, where production and broadcasting processes have been tightly interwoven, offering a mode of communication and consumption that is distinct to the Turkish television industry. The research consists of oral history with key figures in dizi production and ethnographic surveys of film sets, international content markets, and award ceremonies. This first-ever monograph on Turkish dizi will be a valuable addition to the field of performance and media studies while delighting the general reader as well.
Celebration, Entertainment and Theatre in the Ottoman World
Celebration, Entertainment and Theatre in the Ottoman World gathers twenty-four original essays exploring a broad range of historical performances in the Ottoman Empire. Offering a reappraisal of research on Ottoman festivities, celebrations and entertainment, the volume also examines the European-style theater that flourished in Istanbul during the last decades of the Ottoman Empire. Contributors address issues such as the use of Istanbul's public space in celebrations, the possibilities for "having fun" in a small Aegean town, and the role of the Ottoman Sultans in promoting both art forms and public amusement. Other essays focus on the connections between puppet theater and early Ottoman comedies, the performance of Ottoman and foreign-style music in Istanbul and the everlasting problems of the sultans' censors. By exploring festivals, ceremonies, and entertainments in their historical context, these essays provide a new approach to historical performances in the age of the Ottoman Empire.--Amazon.com.
Medieval and Early Modern Performance in the Eastern Mediterranean
On the large eastern edge of the Mediterranean, the period from the start of the Crusades through the Ottoman era knew - and brought into mutual contact - a truly remarkable array of performances and performers, of a multitude of types. But of course examination of performance in the Eastern Mediterranean during the medieval and early modern era requires some careful conceptualization: of 'performance' and 'performer'; of 'the Mediterranean' as well - this region also often being termed the 'Muslim world', the 'Middle East', or the 'Ottoman domain'. This book represents a preliminary attempt to lay out and analyse a broad set of performance genres in this particular geographical setting.
The Politics and Poetics of Translation in Turkey, 1923-1960
The present book is a bold attempt at revealing the complex and diversified nature of the field of translated literature in Turkey during a period of radical socio-political change. On the broad level, it investigates the implications of the political transformation experienced in Turkey after the proclamation of the Republic for the cultural and literary fields, including the field of translated literature. On a more specific level, it holds translation under focus and explores the discourse formed on translation and translators while it also traces the norms (not) observed by translators throughout the 1920s-1950s in two case studies. The findings of the study suggest that the concepts of translation both affected and were affected by cultural processes in the society, including ideological and poetological ones and that there was no uniform way of defining or carrying out translations during the period under study. The findings also point at the segmentation of readership in early republican Turkey and conclude that the political and poetological factors governing the production and reception of translations varied for different segments of readers.
As Night Falls
A fascinating and vivid picture of the perils and promises of nocturnal life in cities in the early modern Middle East.
Ukrainian Epic and Historical Song
Ukrainian epic, or dumy, were first recorded from blind mendicant minstrels in the nineteenth century, yet they reflect events dating back to as early as the 1300s. Ukrainian Epic and Historical Song provides new translations in contemporary English of these songs of family strife, war, and human dignity. It also explains the historical events celebrated in epic and other historical songs: fierce battles, rebellion against tyranny, the struggles of captivity, the joys of escape from slavery. Natalie Kononenko's expert translation and analysis of Ukrainian epics provides a sweeping social history of folklore that is vital to Ukrainian identity. A translation of at least one variant of every k...
The Power of Memory in Modern Japan
Due to their symbolic and iconographic meanings, expressions of ‘collective memory’ constitute the mental topography of a society and make a powerful contribution to its cultural, political and social identity. In Japan, the subject of ‘memory’ has prompted a huge response in recent years. Indeed, it has been and continues to be debated at many levels of Japan’s political, social, economic and cultural life. For the historian and social scientist the opportunity to access recorded memories is invariably welcomed as a valuable building block in research and a determinant in establishing balance and perspective. This volume brings together a selection of the most significant research on memory relating to modern Japan. Thematically structured (Politics and International Relations; Memorials, Museums, National Heroes; Popular and Intellectual Representations of Memory; Realms of Memory: Centre and Periphery) the subjects treated include the Nanjing massacre, comfort women, the fate of war monuments, the political use of national memory in post-war Japan and remembering the atomic bomb.
