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Bharatanatyam
Ancient Indian dances originated either in worship or are ascribed to the gods themselves. Bharatanatyam was born in the temples. Today it is one of the most sought-after forms among students and aficionados of Indian classical dance. Over the last two centuries Bharatanatyam has evolved from a highly codified style to one with maximum freedom to innovate. The dance s journey from the temple to the proscenium is the subject of this book.
The Dance Orissi
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Mudras of India
A photographic guide presents more than 200 Indian hand gestures used in yoga and dance, in a fully indexed and cross-referenced format, giving both the Sanskrit and English name for each.
Magda Nachman
The political and social turmoil of the twentieth century took Magda Nachman from a privileged childhood in St. Petersburg at the close of the nineteenth century, artistic studies with Léon Bakst and Kuzma Petrov-Vodkin at the Zvantseva Art Academy, and participation in the dynamic symbolist/modernist artistic ferment in pre-Revolutionary Russia to a refugee existence in the Russian countryside during the Russian Civil War followed by marriage to a prominent Indian nationalist, then with her husband to the hardships of émigré Berlin in the 1920s and 1930s, and finally to Bombay, where she established herself as an important artist and a mentor to a new generation of modern Indian artists.
Classical Dance
The essence of Indian dance is a celebration of spirituality and life.The traditions of Indian classical dance encompass India's artistic and aesthetic wealth. The various classical forms, not only help project and platform a culture, but are an act of propitiation too.
Dance Dialects of India
This book aims at creating a deeper understanding and appreciation of the Indian dance and its cultural environment in India. The book is addressed to the general reader, dancer, and connoisseur, interested in the arts and traditions of India, where regional forms of dance rituals, dance-drama, folk dance, and classical dance forms have existed for centuries as an essential part of sacred rites and festivals, and as a classical art patronised and practised by the royalty.
Bharata Natyam Adavus
This book, elucidates the basic steps called Adavus of Bharata Natyam in the traditional Pandanallur style, as taught by the revered Gurus Sri Meenakshi Sundaram Pillai and Sri Muthukumara Pillai, to Sri T.K Narayan and Smt. Jayalakshmi Narayan, parents of the author. It is an honest attempt to explain the various steps with unerring and accurate execution technique. The book offers a visual representation of the Adavus with the help of stick diagrams in a sequential manner so that the beginners and practitioners can understand the finer points of each movement. The author has developed simple schematics to show the various moves, such as jump, stretch, turn, hit etc. The author endeavours to illustrate Adavus in a precise manner in this book. Classification and categorization of each step is the salient feature of this work. Gayathri Keshavan makes a humble effort to pass on the knowledge of this ancient and sacred art to the present and future generations of Bharata Natyam dancers.
