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Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.-L. Kirchner, Paul Klee and Franz Marc, as well as
Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early twentieth-century Germany and Austria: Expressionism. This publication introduces these artists and their work. The author, art historian Ashley Bassie, explains how Expressionist art led the way to a new, intense, evocative treatment of psychological, emotional and social themes in the early twentieth century. The book examines the developments of Expressionism and its key works, highlighting the often intensely subjective imagery and the aspirations and conflicts from which it emerged while focusing precisely on the artists of the movement.
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Egon Schiele’s work is so distinctive that it resists categorisation. Admitted to the Vienna Academy of Fine Arts at just sixteen, he was an extraordinarily precocious artist, whose consummate skill in the manipulation of line, above all, lent a taut expressivity to all his work. Profoundly convinced of his own significance as an artist, Schiele achieved more in his abruptly curtailed youth than many other artists achieved in a full lifetime. His roots were in the Jugendstil of the Viennese Secession movement. Like a whole generation, he came under the overwhelming influence of Vienna’s most charismatic and celebrated artist, Gustav Klimt. In turn, Klimt recognised Schiele’s outstandin...
Many people instantly recognize The Scream, a harrowing painting of a person in pain. It appears on countless posters, T-shirts, and coffee mugs. Yet not many people are familiar with the artist, Norwegian painter Edvard Munch. He lost his mother and his sister to tuberculosis; and he was raised by an aunt and his very strict father. With another sister on the verge of mental collapse, Munch became familiar with death and mental anguish at a young age. These feelings are reflected in The Scream and much of his other masterpieces. From his troubles, Munch spawned a new type of art called Expressionism, �and produced over 20,000 pieces. Find out how Munch became one of just a handful of artists who has an entire museum devoted exclusively to his works.
This book is a critical interdisciplinary approach to the study of contemporary visual culture and image studies, exploring ideas about space and place and ultimately contributing to the debates about being human in the digital age. The upward and downward pull seem in a constant contest for humanity’s attention. Both forces are powerful in the effects and affects they invoke. When tracing this iconological history, Amanda du Preez starts in the early nineteenth century, moving into the twentieth century and then spanning the whole century up to contemporary twenty-first century screen culture and space travels. Du Preez parses the intersecting pathways between Heaven and Earth, up and down, flying and falling through the concept of being “spaced out”. The idea of being “spaced out” is applied as a metaphor to trace the visual history of sublime encounters that displace Earth, gravity, locality, belonging, home, real life, and embodiment. The book will be of interest to scholars working in art history, visual culture, media and cultural studies, phenomenology, digital culture, mobility studies, and urban studies.
This book has two aims. The first aim is a modest attempt to help to overcome the neglect to which German expressionist paintings have been condemned by historians and art critics. The second aim is more difficult from an educational perspective. The book points out that a moving beauty and worthy truths call out from many German expressionist paintings. At times, this beauty and these truths may be comprehended straightforwardly. To complement the direct encounter with these paintings, the book suggests learning from concepts, ideas, and insights presented by existentialist philosophers. The book shows that these concepts, ideas, and insights can assist in harkening to the call of beauty an...
The Many Lives of Andy Warhol is more than a biography: it’s a look into Warhol’s greatest creation: himself. Warhol was known as the king of pop art, but the famous artist was secretly never satisfied with a single style and his journey took him from graphic designs of shoes, women’s fashions and glamour magazines to owning and publishing his own film and gossip magazine, Interview. Stuart Lenig takes us behind the scenes to explore Warhol’s many innovations in the art world. Warhol was a titanic technician, making art from new techniques. His designs for Glamour and Vogue used a innovative blotted line technique for drawing and blotting the illustrations to make them appear printed...
Max Beckmann, Otto Dix, George Grosz, Emil Nolde, E.L. Kirchner, Paul Klee, Franz Marc as well as the Austrians Oskar Kokoschka and Egon Schiele were among the generation of highly individual artists who contributed to the vivid and often controversial new movement in early 20th-century Germany and Austria: Expressionism. This publication introduces these artists and their work. The author, art historian Ashley Bassie, explains how Expressionist art led the way to a new, intense, evocative treatment of psychological, emotional and social themes of the early 20th-century. The book examines the developments of Expressionism and its key works, highlighting the often intensely subjective imagery and the aspirations and conflicts from which it emerged while focusing precisely on the artists of the movement.
Will revolutionize reader's understanding of the principles of modern genetics, Nazi racial policies and the relationship between them.