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Quantum theory presents a strange picture of the world, offering no real account of physical properties apart from observation. Neils Bohr felt that this reflected a core truth of nature: "There is no quantum world. There is only an abstract mathematical description." Among the most significant developments since Bohr’s day has been the theorem of John S. Bell. It is important to consider whether Bell’s analysis supports such a denial of microrealism. In this book, we evaluate the situation in terms of an early work of Erwin Schrödinger. Doing so, we see how Bell’s theorem is conceptually related to the Conway and Kochen Free Will theorem and also to all the major anti-realism efforts. It is easy to show that none of these analyses imply the impossibility of objective realism. We find that Schrödinger’s work leads to the derivation of a new series of theoretical proofs and potential experiments, each involving “entanglement,” the link between particles in some quantum systems. .
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Until now, an approach to land use management planning that not only addresses economic issues, but also environmental concerns and health issues of land use has been lacking. These issues are vital for public policy makers, decision-makers throughout the private sector, as well as all businesses and industries that share space with the communities they serve and draw from. This volume covers the legal and regulatory aspects of land use management, the process of land use planning, and all of the related environmental, health, and societal impacts that land use planning entails. This book provides a clear, multidisciplinary approach to a very complex set of issues. An essential resource not ...
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Includes monthly abstracts and annual index.
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How gangsta rap shocked America, made millions, and pulled back the curtain on an urban crisis. How is it that gangsta rap—so dystopian that it struck aspiring Brooklyn rapper and future superstar Jay-Z as “over the top”—was born in Los Angeles, the home of Hollywood, surf, and sun? In the Reagan era, hip-hop was understood to be the music of the inner city and, with rare exception, of New York. Rap was considered the poetry of the street, and it was thought to breed in close quarters, the product of dilapidated tenements, crime-infested housing projects, and graffiti-covered subway cars. To many in the industry, LA was certainly not hard-edged and urban enough to generate authentic ...