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In the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East—maps, historical images and religious scenes constituting a treasure of new testimony from antiquity. In them, Bowersock finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride.
This book examines the rich corpus of mosaics created in Crete during the Roman and Late Antique eras. It provides essential information on the style, iconography, and chronology of the material, as well as discussion of the craftspeople who created them and the technologies they used. The contextualized mosaic evidence also reveals a new understanding of Roman and Late Antique Crete. It helps shed light on the processes by which Crete became part of the Roman Empire, its subsequent Christianization, and the pivotal role the island played in the Mediterranean network of societies during these periods. This book provides an original approach to the study of mosaics and an innovative method of presenting a diachronic view of provincial Cretan society.
Mosaik - Konservierung - Restaurierung.
Over 700 creatures of land, sea and sky have been recorded from at least 140 Romano-British mosaics. This comprehensively illustrated book is the first detailed study of them. It identifies and discusses the animals, assesses their role in floor decoration, and explains how they were much more than appealing decoration.
Antiquarian interest in the Roman period mosaics of Britain began in the 16th century. This book is the first to explore responses and attitudes to mosaics, not just at the point of discovery but during their subsequent history. It is a field which has received scant attention and provides a compelling insight into the agency of these remains.
The stories illustrated in the mosaic pavements that have survived from Roman Britain graphically link us to the world of the Romans in a way that literature, with its nuances of interpretation, cannot. After explaining how and why mosaic pavements were made, Dr. Patricia Witts looks at many of the 200 figured Roman mosaics that can be enjoyed in museums and sites throughout the country. Most portray mythological characters, and the author explains the underlying myths; others are taken from daily life or depict animals, birds, and marine creatures. This lavishly illustrated study is accompanied by a full glossary of technical terms and a gazetteer of relevant sites and museums.
A lavishly illustrated look at the history of Roman mosaics in Britain, from a renowned expert in the field.
During World War II, Japan was vilified by America as our hated enemy. As the Cold War heated up, however, the U.S. government decided to make Japan its bulwark against communism in Asia. In this revelatory work, Naoko Shibusawa charts the remarkable reversal from hated enemy to valuable ally that occurred in the two decades after the war.
The third volume in this massive project to create the first complete corpus of the Roman mosaics of Britain covers the areas of Britain that were first to come under Roman control and where some of Britain's most impressive mosaics are to be found.
This book provides a comprehensive account of mosaics in the ancient world from the early pebble mosaics of Greece to the pavements of Christian churches in the East. Separate chapters in Part I cover the principal regions of the Roman Empire in turn, in order to bring out the distinctive characteristics of their mosaic workshops. Questions of technique and production, of the role of mosaics in architecture, and of their social functions and implications are treated in Part II. The book discusses both well-known works and recent finds, and balances consideration of exceptional masterpieces against standard workshop production. Two main lines of approach are followed throughout: first, the role of mosaics as a significant art form, which over an unbroken span illuminates the evolution of pictorial style better than any comparable surviving medium; and secondly, their character as works of artisan production closely linked to their architectural context.