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Heard-Hoard
Winner of the Alice Fay di Castagnola Award from the Poetry Society of America, this collection of verse from Atsuro Riley offers a vivid weavework rendering and remembering an American place and its people. Recognized for his “wildly original” poetry and his “uncanny and unparalleled ability to blend lyric and narrative,” Atsuro Riley deepens here his uncommon mastery and tang. In Heard-Hoard, Riley has “razor-exacted” and “raw-wired” an absorbing new sequence of poems, a vivid weavework rendering an American place and its people. At once an album of tales, a portrait gallery, and a soundscape; an “inscritched” dirt-mural and hymnbook, Heard-Hoard encompasses a chorus of voices shot through with (mostly human) histories and mysteries, their “old appetites as chronic as tides.” From the crackling story-man calling us together in the primal circle to Tammy figuring “time and time that yonder oak,” this collection is a profound evocation of lives and loss and lore.
Romey's Order
Romey's Order is an indelible sequence of poems voiced by an invented (and inventive) boy-speaker called Romey, set alongside a river in the South Carolina lowcountry. As the word-furious eye and voice of these poems, Romey urgently records--and tries to order--the objects, inscape, injuries, and idiom of his "blood-home" and childhood world. Sounding out the nerves and nodes of language to transform "every burn-mark and blemish," to “bind our river-wrack and leavings," Romey seeks to forge finally (if even for a moment) a chord in which he might live. Intently visceral, aural, oral, Atsuro Riley's poems bristle with musical and imaginative pleasures, with story-telling and picture-making of a new and wholly unexpected kind.
The Open Door
“If readers would like to sample the genius and diversity of American poetry in the last century, there’s no better place to start.” —World Literature Today When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now. To celebrate the magazine’s centennial, the editors combed through Poetry’s incomparable archives to create a new kind of anthology. With ...
Home
Evocative poems and prose fragments about home, selected by one of the most celebrated poets of our time "This is a book of longing, yes, and also spiritual discernment, political awareness, historical memory, and deep intimacy."--Carolyn Forché In this poignant collection, Christian Wiman draws together one hundred evocative poems and prose fragments about home, exploring home's deep theological, literary, philosophical, historical, political, and social dimensions. Wiman calls home "a house, a country, a language, a love, a longing, a grief, a god." It's "a word that disperses into more definitions than one book can contain." The tensions between diffusion and concentration, roaming and rootedness, precarity and security are everywhere in this book, often in the same poem. Ranging from early modernism to the current moment, and from southern Africa to the Arctic Circle, the selections are as diverse as the poets included. Collectively they envision an imaginative home for even the most homeless of modern readers. Completed entirely during quarantine, amid the miseries of separation and isolation, the collection offers a powerful vision of home as both a place and a way.
The Bill from My Father
Edward Cooper was a hard man to know. Dour and exuberant by turns, his moods dictated the always-uncertain climate of the Cooper household. Now – balding, octogenarian – he makes an unlikely literary muse. But to his now middle-aged son, he looms larger than life, an overwhelming, baffling presence. Edward Cooper made his name as a divorce attorney in LA whose cases were devoured by the tabloids. Now, he is slowly succumbing to dementia. As Bernard attempts to forge a coherent picture of his family history, he uncovers Edward's lawsuits against other family members, and recalls the itemized invoice his father once sent him for the total cost of his upbringing, for the sum of two million ...
Collards
The definitive survey of collards, an iconic southern food
Again with the Light
With poems composed over five decades, but predominantly for his 2016 Ashland University MFA thesis of the same title, Again with the Light is a collection drawn from an entire life. It comes, first, from a childhood on the autistic spectrum, improperly diagnosed, in which a fascination with forests, trees, birds, water, and rough pathways of the literal and metaphorical kind provide a landscape of imagery for the whole. Increasingly, an attraction toward Christ leads through numerous permutations of faith and various Christian communities to Eastern Orthodoxy, an earthy, unearthly place with a connection to kenosis and theosis. Along the way come lives of saints and prosodic experiments in a postmodern but reachable style.
Evaluations of US Poetry Since 1950, Volume 1
The essays collected in both volumes of Evaluations of US Poetry since 1950 move away from esoteric literary criticism toward a more evaluative and speculative inquiry that will serve as the basis from which poets will be discussed and taught over the next half-century and beyond.
Vinegar & Char
Yes, there is barbecue, but that's just one course of the meal. With Vinegar and Char the Southern Foodways Alliance celebrates twenty years of symposia by offering a collection of poems that are by turns as sophisticated and complex, as vivid and funny, and as buoyant and poignant as any SFA gathering. The roster of contributors includes Natasha Trethewey, Robert Morgan, Atsuro Riley, Adrienne Su, Richard Blanco, Ed Madden, Nikky Finney, Frank X Walker, Sheryl St. Germain, Molly McCully Brown, and forty-five more. These poets represent past, current, and future conversations about what it means to be southern. Throughout the anthology, region is layered with race, class, sexuality, and other shaping identities. With an introduction by Sandra Beasley, a thought-provoking foreword by W. Ralph Eubanks, and luminous original artwork by Julie Sola, this collection is an ideal gift. Meant to be savored slowly or devoured at once, these pages are a perfect way to spend the hour before supper, with a glass of iced tea-or the hour after, with a pour of bourbon-and a fitting celebration of the SFA's focus and community.
McSweeney's Book of Poets Picking Poets
Features a collection of one hundred poems.
