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From Unknown to Known
William Attridge, Jr. was born in about 1809 in County Cork, Ireland. His family emigrated in about 1835 and settled in Quebec. He married Sarah and they had four sons. The family lived in Rochester, New York and then returned to Canada and settled in Kent County, Ontario. Descendants and relatives lived mainly in Ontario and New York.
Unexpected
Explores the relationship between unexpected events in narrative and life
The Beloved Apostle?
Second-century Christians had a significant role in shaping the import of the literary sources that they inherited from the first century through their editorial revisions and the church traditions that they appended to them. Michael J. Kok critically investigates the supposed clues that encouraged select Christian intellectuals to infer that John, one of Jesus' chosen twelve apostles, was the mysterious "disciple whom Jesus loved" and to ascribe the fourth canonical Gospel as well as four other New Testament books back to him. Kok outlines how the image of Saint John of Ephesus was constructed. Not all early Christians approved of the fourth canonical Gospel and some expressed strong reservations about its theology, preferring to link it with a heretical adversary rather than with an authoritative Christian founder figure. Discover how the moves made in the second century were crucial for determining whether this Gospel would be preserved at all for posterity, much less as part of the scriptural collection of the developing Orthodox Church.
J. M. Coetzee and the Limits of the Novel
J. M. Coetzee is widely recognized as one of the most important writers working in English. As a South African (now Australian) novelist composing his best-known works in the latter third of the twentieth century, Coetzee has understandably often been read through the lenses of postcolonial theory and post-war ethics. Yet his reception is entering a new phase bolstered by thousands of pages of new and unpublished empirical evidence housed at the J. M. Coetzee archive at The Harry Ransom Center (University of Texas, Austin). This material provokes a re-reading of Coetzee's project even as it uncovers keys to his process of formal experimentation and compositional evolution up to and including Disgrace (1999). Following Coetzee's false starts, his confrontation of narrative impasses, and his shifting deployment of source materials, J. M. Coetzee and the Limits of the Novel provides a new series of detailed snapshots of one of the world's most celebrated authors.
Derek Attridge in Conversation
This volume of conversation not only provides a succinct philosophical biography that highlights the wide range of Attridge's interests. It likewise foregrounds his energetic engagements with literary theory, poetics, and stylistics, as well as his reassessments of contemporary philosophy and literary ideas, specifically those pertaining to the work Jacques Derrida, James Joyce, and J. M. Coetzee. Readers will find in this book a wonderful balancing act as Attridge negotiates the dynamics between the orthodoxies of critical practice and the strategic interventions of deconstructive reading. This book, with an appendix of a chronological listing of Attridge's publications, is an accessible and provocative introduction to the ideas of one of the most brilliant critical voices and generous presences in literary studies in the Anglophone world.
Singularity and Transnational Poetics
Over the past decade ‘singularity’ has been a prominent term in a broad range of fields, ranging from philosophy to literary and cultural studies to science and technology studies. This volume intervenes in this broad discussion of singularity and its various implications, proposing to explore the term for its specific potential in the study of literature. Singularity and Transnational Poetics brings together scholars working in the fields of literary and cultural studies, translation studies, and transnational literatures. The volume’s central concern is to explore singularity as a conceptual tool for the comparative study of contemporary literatures beyond national frameworks, and by...
John, the Son of Zebedee
Beginning with New Testament descriptions of John as fisherman, and extending through the most recent Johannine scholarship, Alan Culpepper gathers stories from church fathers, the apocryphal acts of John, medieval sources, Victorian poets, and nineteenth- and twentieth-century historians of earliest Christianity to explore the life, exploits and the death of this most significant apostle. The resulting picture of John is one of the most important and complete, and is a fascinating account of the development of the Johannine legend, no less than the historical tradition.
Reading and Responsibility
What is the importance of deconstruction, and the writing of Jacques Derrida in particular, for literary criticism today? Derek Attridge argues that the challenge of Derrida's work for our understanding of literature and its value has still not been fully met, and in this book, which traces a close engagement with Derrida's writing over two decades and reflects an interest in that work going back a further two decades, shows how that work can illuminate a variety of topics.Chapters include an overview of deconstruction as a critical practice today, discussions of the secret, postcolonialism, ethics, literary criticism, jargon, fiction, and photography, and responses to the theoretical writin...
J.M. Coetzee's Austerities
Representing a wide range of critical and theoretical perspectives, this volume examines J.M. Coetzee's novels from Dusklands to Diary of a Bad Year. The choice of essays reflects three broad goals: aligning the South African dimension of Coetzee's writing with his "late modernist" aesthetic; exploring the relationship between Coetzee's novels and his essays on linguistics; and paying particular attention to his more recent fictional experiments. These objectives are realized in essays focusing on, among other matters, the function of names and etymology in Coetzee's fiction, the vexed relationship between art and politics in apartheid South Africa, the importance of film in Coetzee's literary sensibility, Coetzee's reworkings of Defoe, the paradoxes inherent in confessional narratives, ethics and the controversial politics of reading Disgrace, intertextuality and the fictional self-consciousness of Slow Man. Through its pronounced emphasis on the novelist's later work, the collection points towards a narrato-political and linguistic reassessment of the Coetzee canon.
