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Please note: This is a companion version & not the original book. Sample Book Insights: #1 Bill Frawley was born in 1887 in Burlington, Iowa. He was of Irish descent and grew up in Burlington with his brother and sister. He worked for the Burlington Insurance Company and established his own insurance/real-estate agency in 1891. #2 Frawley had a thick head of golden curls as a youngster. He and his brother, Paul, sang in the choir at the local St. Paul’s Church. Between 1895 and 1900, Corbett was in the box scores of twenty-nine official bush-league contests, appearing as a gate attraction and batting. 274. #3 Bill Frawley, the actor, was born in 1939 in Des Moines County. He was headed for a career as a railroad employee, but he was also a great performer who enjoyed theatricals. His mother wanted him to study bookkeeping and shorthand, but he wanted to be an actor. #4 The circumstances surrounding Frawley’s entry into show business are unclear. Some accounts say he went to Chicago on railroad business, while others say he was relocated to Chicago. Regardless, his mother quickly stifled his artistic aspirations.
"This is an extremely rigorous, thorough piece of superior scholarship on one of the most important figures in the history of cinema. Benamou introduces a wealth of material on the production process and the repercussions of this project in Latin America, which have been entirely missing from earlier, auteur-centered accounts; this alone makes it a book of great importance. We can't ask for a more definitive, groundbreaking study than the one Benamou has given us."—Bill Nichols, author of Maya Deren and the American Avant-Garde
As scholarly interest in baseball has increased in recent years, so too has the use of baseball both as subject and as teaching method in college courses. In addition to lecturing on baseball history, professors are more frequently using baseball as a pedagogical tool to teach other disciplines. Baseball's interdisciplinary appeal is evident in the myriad ways that diverse college faculty have made use of it in the classroom. In this collection of essays, professors from different disciplines explain how they have used baseball in higher education. Organized by academic field, essays offer insight into how baseball can help teach key issues in archival research, business, cultural studies, education, experiential learning, film, American history, labor relations, law, literature, Native American studies, philosophy, public speaking, race studies and social history.
BACK ISSUE Base Ball is a peer-reviewed book series published annually. Offering the best in original research and analysis, it promotes study of baseball's early history, from its protoball roots to 1920, and its rise to prominence within American popular culture. Prior to Volume 10, Base Ball was published as Base Ball: A Journal of the Early Game. This is a back issue of that journal.
Judge Kenesaw Mountain Landis is most famous for his role as the first Commissioner ever to rule organized baseball. But before he came into his legendary position as baseball's final say, Landis already had built a reputation from his Chicago courtroom as the most popular and most controversial federal judge in World War I-era America. Judge and Jury is the first complete biography of the Squire, from the origins of his unusual name through his career as a federal judge and his clean-up after the infamous Black Sox scandal.
In the late 1910s Dr. Harry J. Haiselden, a prominent Chicago surgeon, electrified the nation by allowing the deaths of at least six infants he diagnosed as "defectives". He displayed the dying infants to journalists, wrote about them for the Hearst newspapers, and starred in a feature film about his crusade. Prominent Americans from Clarence Darrow to Helen Keller rallied to his support. Martin Pernick tells this captivating story--uncovering forgotten sources and long-lost motion pictures--in order to show how efforts to improve human heredity (eugenics) became linked with mercy killing, as well as with race, class, gender and ethnicity. It documents the impact of cultural values on science along with the way scientific claims of objectivity shape modern culture. While focused on early 20th century America, The Black Stork traces these issues from antiquity to the rise of Nazism, and to the "Baby Doe", "assisted suicide" and human genome initiative debates of today.
Praise for the updated 2012 Kindle edition of Lucy A to Z: The Lucille Ball Encyclopedia "Very important. Fresh insights. The most detailed-and most enjoyable-book available on Lucille Ball. A must-have." -Laura Wagner, Classic Images "As we are producing the I Love Lucy 50th Anniversary Special, [Lucy A to Z] has been a godsend." -Lucie Arnaz, 2001 letter to author "[Lucy A to Z is a] compound of insight, fact, and trivia." -Stefan Kanfer, author, Ball of Fire "This new Fourth Edition of Lucy A to Z is a wonderful read and I'm very pleased to recommend it to everyone." -Wanda Clark, Lucille Ball's personal secretary "If you need any 'splainin' about Lucy' life and career, you'll find it here!" -Craig Hamrick, author, The TV Tidbits Classic Television Trivia Quiz Book
From one of America's most renowned film scholars: a revelatory, perceptive, and highly readable look at the greatest silent film stars -- not those few who are fully appreciated and understood, like Chaplin, Keaton, Gish, and Garbo, but those who have been misperceived, unfairly dismissed, or forgotten. Here is Valentino, "the Sheik," who was hardly the effeminate lounge lizard he's been branded as; Mary Pickford, who couldn't have been further from the adorable little creature with golden ringlets that was her film persona; Marion Davies, unfairly pilloried in Citizen Kane; the original "Phantom" and "Hunchback," Lon Chaney; the beautiful Talmadge sisters, Norma and Constance. Here are the...
This book provides needed information on the collaborations between filmmakers and theater personnel before 1930 and completes our understanding of how two art forms influenced each other. It begins with the vaudeville and "faerie" dramas captured in brief films by the Edison and Biograph companies; follows the development of feature-length Sarah Bernhardt and James O'Neill films after 1912; examines the formation of theater/film combination companies in 1914-15; and details later collaborations during the talking picture revolution of 1927. Includes detailed analyses of important theatrical films like The Count of Monte Cristo, The Virginian, Coquette, and Paramount on Parade.
BEST KNOWN AS THE DIRECTOR of such spectacular films as The Ten Commandments and King of Kings, Cecil B. DeMille lived a life as epic as any of his cinematic masterpieces. As a child DeMille learned the Bible from his father, a theology student and playwright who introduced Cecil and his older brother, William, to the theater. Tutored by impresario David Belasco, DeMille discovered how audiences responded to showmanship: sets, lights, costumes, etc. He took this knowledge with him to Los Angeles in 1913, where he became one of the movie pioneers, in partnership with Jesse Lasky and Lasky’s brother-in-law Samuel Goldfish (later Goldwyn). Working out of a barn on streets fragrant with orange...