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The Joy-Ride and After
The Joy-Ride and After was A.L. Barker's third collection of shorter pieces, first published in 1963. It offers three novellas, linked by certain recurrent characters and by their variations on the themes of loneliness and insecurity. The first tells of what has led to a young garage-hand 'borrowing' his employer's car, and of the disastrous consequences that ensue. In the second, a betrayed wife loses her memory after an accident, and finds herself on a barge with an old reprobate. The third concerns the tribulations of a canteen manager who has an inscrutable boss and an extravagant wife. Whether they live in slum tenement or suburban semi-detached, these 'ordinary' people become alive and phenomenal to us through the force and sympathy of Barker's imagination.
Innocents
A. L. Barker's debut story collection appeared in 1947 and won the inaugural Somerset Maugham prize, instantly marking her out as a remarkable new talent. Each story describes a crisis in life; each reveals the impact of experience upon innocence, or vice versa. '[Barker's] remarkable descriptive powers, her feeling for the exact word and the right combination of adjectives are most satisfyingly applied to the evocation of landscape... Barker writes with a subtlety and precision which are as delightful as they are rare.' Times Literary Supplement 'This collection of eight short stories... introduces an already assured and subtle stylist... There is little pity here, but - if restrained - considerable terror and tragedy, and a precision of observation and treatment which qualify this collection for a critical, fastidious audience.' Kirkus Reviews
The Haunt
Originally published in 1999, The Haunt, set in a seedy, decaying hotel on the Cornish coast, was to be the final entry in A. L. Barker's brilliant fifty-year writing career. ' The Haunt is the novel that A. L. Barker had just finished [in 1998] when she was struck down by a disabling illness... [It] is probably her best... It is an examination of what being haunted means, and whether we can do anything about it. Auden once said that there is nothing to be done about it. We must sit it out. This is grim advice. But if A. L. Barker is saying this too - and I think she is - she doesn't say it grimly. She says it lightly, not cynically but hilariously. She understands that there can be pleasure alongside unease: the delicious first stirrings of infidelity, the comforts of offered love to the old and ridiculous. She knows us all.' Jane Gardam, Spectator
Short Story Index
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John Brown's Body
'An extraordinary achievement.' A. S. Byatt John Brown's Body, first published in 1969, was A.L. Barker's fourth novel and was shortlisted for the second annual Booker Prize in 1970. Marise Tomelty is the young wife of a travelling salesman, who dislikes sex and is terrified of open spaces. Ralph Shilling, a dealer in pesticides, lives in the flat above the Tomeltys'. One day Marise's husband casually mentions that he recognises Ralph as John Brown: a man acquitted, for lack of evidence, of the gruesome double murder of two sisters. Nevertheless, Marise encourages Ralph's attentions, intoxicated by a heady mix of passion and fear. 'She is formidable, and from a bare corner of human relations gathers a rich harvest.' Adam Mars-Jones 'It would be hard to find anyone who chooses words more exactly or constructs with more precision.' Penelope Fitzgerald
Encyclopedia of British Writers
This concise encyclopedic reference profiles more than 800 British poets
Encyclopedia of British Writers, 1800 to the Present
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
Book Review Digest
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British Short-fiction Writers, 1945-1980
pThis award-winning multi-volume series is dedicated to making literature and its creators better understood and more accessible to students and interested readers, while satisfying the standards of librarians, teachers and scholars. IDictionary of Literary Biography /I provides reliable information in an easily comprehensible format, while placing writers in the larger perspective of literary history. p IDictionary of Literary Biography /I systematically presents career biographies and criticism of writers from all eras and all genres through volumes dedicated to specific types of literature and time periods. PFor a listing of IDictionary of Literary Biography /I volumes sorted by genre a href ="/pdf/facts/DBLvolbygenre.pdf"click here. /a
Bringing Up War-Babies
The figure of the wartime child in the mid-twentieth century unsettles and disturbs. This book employs a range of material – biographical, literary and historical – to chart some of the surprising and unanticipated crossovers between women’s writing and early psychoanalysis in the years of the Second World War and the decades before and after. This volume includes examples of children’s adventure fiction, as well as works written for adult audiences and important and previously unrecognized similarities are noted. The war was a disruptive influence in the lives of all who lived through it. Although active self-censorship is observed in the behaviour and attitudes of adults at this time, this book demonstrates how fictional children are able to articulate feelings such as anxiety and fear that adults were under pressure to conceal or to repress and at times, the figure of the wartime child becomes a surrogate for the writer herself or her suppressed fears and anxiety. When peace returned, this study finds women writers quick to identify and communicate a discomfiting new ambivalence between parents and children.
