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I the Supreme
I the Supreme imagines a dialogue between the nineteenth-century Paraguayan dictator known as Dr. Francia and Policarpo Patiño, his secretary and only companion. The opening pages present a sign that they had found nailed to the wall of a cathedral, purportedly written by Dr. Francia himself and ordering the execution of all of his servants upon his death. This sign is quickly revealed to be a forgery, which takes leader and secretary into a larger discussion about the nature of truth: “In the light of what Your Eminence says, even the truth appears to be a lie.” Their conversation broadens into an epic journey of the mind, stretching across the colonial history of their nation, filled with surrealist imagery, labyrinthine turns, and footnotes supplied by a mysterious “compiler.” A towering achievement from a foundational author of modern Latin American literature, I the Supreme is a darkly comic, deeply moving meditation on power and its abuse—and on the role of language in making and unmaking whole worlds.
Augusto Roa Bastos
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Son of Man
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The Prosecutor
The Prosecutor is the third novel of a trilogy written by the internationally famous Paraguayan author Augusto Roa Bastos. It was preceded by the novels Son of Man and I The Supreme. Together these three works contemplate what the author has termed “the monotheism of power.” The Prosecutor explores the atrocities of the Alfredo Stroessner dictatorship in Paraguay, which lasted from 1954 to 1989. Through connections with important Paraguayan historical figures, such as Francisco Solano López, the novel links the protagonist to Paraguay’s past as he struggles to give meaning to his life by assassinating the dictator and freeing the Paraguayan people. Combining autobiography, detective fiction, historical novel and philosophy, the novel examines the question of whether one man has the right to judge another. A provocative introduction and comprehensive notes by Helene Carol Weldt-Basson illuminate this translation of one of Roa Bastos’s most important works.
Augusto Roa Bastos's I the Supreme
Roa Bastos's novel I the Supreme (1974), based on the 20 year reign of Paraguayan dictator Jose Gaspar Rodriguez de Francia (1766-1840), is one of the most famous and yet least understood works of contemporary Latin American fiction. Weldt-Basson analyzes Roa Bastos's seminal work by unraveling the rich web of both historical and nonhistorical intertextuality that is critical to an understanding of this novel. Annotation copyright by Book News, Inc., Portland, OR
I the Supreme
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Postmodernism’s Role in Latin American Literature
Augusto Roa Bastos (1917-2005), winner of the prestigious Cervantes prize, is one of the most important Latin American writers of the twentieth century. This commemorative collection consists of articles by nine scholars reflecting upon the postmodern nature of the Paraguayan author s literary production and his place in world literature. The volume includes articles on the author s screenplays, his masterpiece, the dictator novel I The Supreme, his short stories, feminist approaches to Roa Bastos s novels, reflections on the writer s Guarani poetry, and a study of the complex, intertextual relationships between his novel El fiscal and his other texts.
The Decline and Fall of the Lettered City
The cultural Cold War in Latin America was waged as a war of values--artistic freedom versus communitarianism, Western values versus national cultures, the autonomy of art versus a commitment to liberation struggles--and at a time when the prestige of literature had never been higher. The projects of the historic avant-garde were revitalized by an anti-capitalist ethos and envisaged as the opposite of the republican state. The Decline and Fall of the Lettered City charts the conflicting universals of this period, the clash between avant-garde and political vanguard. This was also a twilight of literature at the threshold of the great cultural revolution of the seventies and eighties, a revol...
Masquerade and Social Justice in Contemporary Latin American Fiction
Contemporary Latin American fiction establishes a unique connection between masquerade, frequently motivated by stigma or trauma, and social justice. Using an interdisciplinary approach that combines philosophy, history, psychology, literature, and social justice theory, this study delineates the synergistic connection between these two themes. Weldt-Basson examines fourteen novels by twelve different Latin American authors: Mario Vargas Llosa, Sergio Galindo, Augusto Roa Bastos, Fernando del Paso, Mayra Santos-Febres, Isabel Allende, Carmen Boullosa, Antonio Benítez-Rojo, Marcela Serrano, Sara Sefchovich, Luisa Valenzuela, and Ariel Dorfman. She elucidates the varieties of social justice operating in the plots of contemporary Latin American novels: distributive, postmodern/feminist, postcolonial, transitional, and historical justices. The author further examines how masquerade and disguise aid in articulating the theme of social justice, why this is important, and how it relates to Latin American history and the historical novel.
The Feast of the Goat
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign. In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the rest of the nation lives in fear and deprivation. As Trujillo clings to power, a plot to push the Dominican Republic into the future is being formed. But after the murder of its hated dictator, the Goat, is carried out, the Dominican Republi...
