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Rewriting the Journey in Contemporary Italian Literature
Sartini Blum demonstrate that women writers and migrant authors in contemporary Italy present journeys as events that are beyond heroic modern exploration and postmodern fragmentation.
Feminine Feminists
Feminine Feminists was first published in 1994. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. What does it mean to be a woman today in Italy, a country with the lowest birthrate in the world and the heaviest maternal stereotype? Does being a feminist exclude practices of cultural femininity? What are Italian women's cultural productions? These questions are at the center of this volume, which looks at how feminism and femininity are embedded in a broad spectrum of Italian cultural practices. In recent years, several books have introduced the America...
From Margins to Mainstream
Carol Lazzaro-Weiss studies the fiction of twenty-five contemporary Italian women writers. Arguing for a notion of gender and genre, she runs counter to many Anglo-American and French feminist theorists who contend that traditional genres cannot readily serve as vehicles for feminist expression.
Memoirs of the Twentieth Century
Ugo Spirito's Memoirs of the Twentieth Century is the intellectual autobiography of one of the most original and anticonformist contemporary Italian philosophers. In it, Spirito makes an evaluation of his long career (spanning from the decade of the 20's to that of the 70's of the twentieth century) as a thinker who was never satisfied with any theoretical or philosophical system, while constantly aiming at finding a definitive truth: the “incontrovertible” or absolute. The various stages of his search deal with different philosophical and scientific systems - from positivism to actual idealism, from problematicism to omnicentrism, from scientism to neoproblematicism - revealing at the s...
The Arts in the West Since 1945
The 'Arts' hold a revered and respected place within modern Western society - but what exactly defines 'culture'; what gives it this enigmatic status; what influences its composition and propagation; what controls and limitations is it subject to; and what can it achieve within our world? Arthur Marwick tackles these issues head on, with a both detailed and eclectic account of the 'Arts' in the West since the Second World War. He looks at the full range of possible candidates for the category of 'Art', from both elite and popular cultures: from high literature to pulp fiction, fromart-house cinema to soap-opera, Art Music to Rock and Pop. This book looks at the fascinating diversity of twentieth-century art in the context of the social, technological, and political events, movements, and developments that have shaped our history - such as the holocaust, the television, feminism. Marwick examines how these factors have affected thecultural output of Western society since 1945, and in turn how art has fed back its own agenda and priorities into this society.
Queer Italy
Queer Italy is the first multi-methodological inquiry into the historical, political and representational contexts behind the current plea for civil unions that queers advocate in Italy. Concerned with the links between identity, subjectivity and sexuality in Italy, this book opens Italian studies to previously neglected discussion of queer and migrant subjectivities. The author applies Lacanian film analysis and auto-ethnographic passages to question the uses of queer politics in Italy. Accessible and comprehensive, this is an ideal text for undergraduate and graduate courses on Italian culture, cultural studies and film studies.
Politics of the Visible
Challenges assumptions about Italian women writers under fascism. In fascist Italy between the wars, a woman was generally an exemplary wife and mother or else. The "or else", mostly forgotten or overlooked in accounts of femininity under fascism, is what concerns Robin Pickering-Iazzi. Reading works by women of the period, Pickering-Iazzi shows how they refuted stereotypes that were imposed on them by the fascist regime and continue to be accepted and perpetuated into our day. The writers Pickering-Iazzi considers comprise both the popular and the critically acclaimed, including the illustrious Grazia Deledda (winner of the Nobel Prize for Literature in 1926), Ada Negri, Sibilla Aleramo, Al...
Encyclopedia of Italian Literary Studies: A-J
Publisher description
Addressing the Letter
Women writers of nineteenth- and twentieth-century Italy reinvigorated the modern epistolary novel through their re-fashioning of the genre as a tool for examining women's roles and experiences. Addressing the Letter argues that many epistolary novels purposely tie narrative structure to thematic content, creating in the process powerful texts that reflect and challenge literary and socio-cultural norms. Through the lens of the genre, Laura A. Salsini considers how the works of authors including the Marchesa Colombi, Sibilla Aleramo, Gianna Manzini, Natalia Ginzburg, and Oriana Fallaci highlight such issues as love, the loss of ideals, lack of communication and connection, and feminist ideology. She also analyses what may be the first woman-authored Italian example of epistolary fiction: Orintia Romagnuoli Sacrati's Lettere di Giulia Willet (1818). In their reworking of the epistolary narrative form, Italian women writers challenged dominant assumptions about female behaviours, roles, relationships, and sexuality in modern Italy.
Books Are Made Out of Books
A new edition of this groundbreaking exploration of Cormac McCarthy's literary archive, which identifies over 150 writers and thinkers who influenced McCarthy, now including analysis of McCarthy's final works.
