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Aukai Collins Has Been Described As A Beefylinebacker Blue-Eyed All-American Mujahid Holy Warrior Who Has Led A Life Of Faith, Danger, And Espionage In Some Of The Most Perilous War Zones On The Face Of The Earth. His Amazing Journey Started In 1993, When A Fellow Worshiper In His San Diego Mosque Suggested That He Go To Bosnia To Stop The Serb-Sponsored Genocide That Was Taking Place There. This Eventually Led Him To Usama Bin Laden'S Training Camps In Afghanistan, Where He Trained With The Most Aggressive And Terrifying Mujahideen In The World. But When Ahmed Omar Saeed Sheikh - The Man Accused Of Luring Wall Street Journal Journalist Daniel Pearl To His Death - Asked Him To Raid A Town In...
He was a brawny, blue-eyed, Irish-American religious convert who became a holy warrior in the name of Islam -- until the holy war began to change. Aukai Collins grew up hard: abandoned, surviving in the streets and running with thugs. While serving time, he converted to Islam, and went to fight with the Muslims who were targeted for genocide in Chechnya and Bosnia. This led him to Usama bin Laden's training camps in Afghanistan. As terrorist attacks on civilians around the world intensified, Aukai was asked to lead a mission that included hostage taking and the killing of civilians -- something he would not do. Disillusioned by those who used Islam for their own ends or to attack innocents, ...
(Book). The Modern Amazons: Warrior Women on Screen documents the public's seemingly insatiable fascination with the warrior woman archetype in film and on television. The book examines the cautious beginnings of new roles for women in the late fifties, the rapid development of female action leads during the burgeoning second-wave feminist movement in the late sixties and seventies, and the present-day onslaught of female action characters now leaping from page to screen. The book itself is organized into chapters that group women warriors into sub-genres, e.g., classic Amazons like Xena Warrior Princess and the women of the Conan films; superheroes and their archenemies such as Wonder Woman...
(Limelight). From the femme fatale of the early cinema to her post-feminist rebirth, this lavishly illustrated book and comprehensive guide traces the history of these dangerously alluring, manipulative, and desperate lethal ladies. Femme Fatale surveys the history of the femme fatale in world cinema, with more than 300 photographs testifying to the power of these mysterious women. The book begins with the silent period and its vamps, like Theda Bara, Pola Negri, Clara Bow, and Bebe Daniels, then moves on to the Pre-Code sound period of American films, which, showing liberated attitudes toward sex and women, featured actresses like Jean Harlow, Marlene Dietrich, and Greta Garbo. The story continues with the noir 1940s, when the femme fatale became truly lethal including actresses like Ava Gardner, Rita Hayworth, and Barbara Stanwyck. In the repressive 1950s, the international femme fatale took the fore Brigitte Bardot, Maria Felix, Elizabeth Taylor, Anita Ekberg, etc. Finally, the authors turn to the revolutionary post-feminist modern period, with an array of lethal ladies from all over the world, like Pam Grier, Salma Hayek, Gong Li, Angelina Jolie, and Sharon Stone.
The true story of an American Mujahid's amazing experiences in the world of Jihad, Osama Bin Laden's camps, and the Central Intelligence Agency is now available in paperback. This is also Collins's personal story about the biggest threat to world peace and stability in this century.
Cinema of Obsession traces the history of obsessive love and erotic fixation. Seminal works of obsession, The Blue Angel, Peter Ibbetson, and Phantom of the Opera are seen as setting the groundwork for films that follow. The book defines and surveys examples of the explosive nature of amour fou, issues of male control (no matter how tenuous), and the fugitive couple - love on the run - in such films as Romeo and Juliet, Last Tango in Paris, Vertigo, Basic Instinct, and Wild at Heart. Male masochism is explored through film noirs, including Criss Cross, The Killers, Gilda, and The Postman Always Rings Twice. The book shifts gears in its finale and concentrates on the female gaze, films of female obsession: Jane Eyre, The Piano, The Lover, Fatal Attraction, and Vanilla Sky.
This new edited volume expands our understanding of the processes by which individuals and groups disengage from terrorism. While there has been a growing awareness of the need to understand and prevent processes of radicalization into terrorism, disengagement and deradicalization from terrorism have long been neglected areas in research on terrorism. This book uses empirical data to explore how and why individuals and groups disengage from terrorism, and what can be done to facilitate it. The work also presents a series of case studies of disengagement programmes, from Colombia, northern Europe, Italy, Yemen, Saudi Arabia, Indonesia, Singapore and Malaysia, comparing and assessing their various strengths and weaknesses. In light of the lessons learned from these cases, this book describes and explains the potential for new developments in counter-terrorism. This book will be of great interest to all students of terrorism studies, war and conflict studies, international security and politics in general, as well as professionals in the field of counter-terrorism.
The Political Economy of Terrorism presents a widely accessible political economy approach to the study of terrorism. It applies economic methodology – theoretical and empirical – combined with political analysis and realities to the study of domestic and transnational terrorism. In so doing, the book provides both a qualitative and quantitative investigation of terrorism in a balanced up-to-date presentation that informs students, policy makers, researchers and the general reader of the current state of knowledge. Included are historical aspects, a discussion of watershed events, the rise of modern-day terrorism, examination of current trends, the dilemma of liberal democracies, evaluat...
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This book presents the alarming evidence that nation-states actively engage in terror, and also passively allow terror to be visited upon their citizens. It is not just liberation movements and radical groups that deploy terrorist tactics for offensive ends. States use terror defensively to directly intimidate their citizens, and to indirectly attack themselves or harm their citizens under a false flag. Their motivation? To provide pretexts for otherwise unwanted wars, or to gain increased police powers. Statesmen have executed indirect terrorism in various ways, but most plots tend to involve the pretence of blind eyes, misdirection, and cover-ups that give the statesmen plausible deniabili...