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A coletânea Estudos Comparados em Literatura e outras Artes: Leituras Possíveis é resultado de pesquisas de estudantes e pesquisadores na área de Letras. Os artigos do e-book apresentam estudos nas diversas facetas do comparativismo entre literaturas e outros sistemas semióticos.
Anyone who has ever said one thing and meant another has spoken in the mode of allegory. The allegorical expression of ideas pervades literature, art, music, religion, politics, business, and advertising. But how does allegory really work and how should we understand it? For more than forty years, Angus Fletcher's classic book has provided an answer that is still unsurpassed for its comprehensiveness, brilliance, and eloquence. With a preface by Harold Bloom and a substantial new afterword by the author, this edition reintroduces this essential text to a new generation of students and scholars of literature and art. Allegory puts forward a basic theory of allegory as a symbolic mode, shows how it expresses fundamental emotional and cognitive drives, and relates it to a wide variety of aesthetic devices. Revealing the immense richness of the allegorical tradition, the book demonstrates how allegory works in literature and art, as well as everyday speech, sales pitches, and religious and political appeals. In his new afterword, Fletcher documents the rise of a disturbing new type of allegory--allegory without ideas.
For most people, film adaptation of literature can be summed up in one sentence: "The movie wasn't as good as the book." This volume undertakes to show the reader that not only is this evaluation not always true but sometimes it is intrinsically unfair. Movies based on literary works, while often billed as adaptations, are more correctly termed translations. A director and his actors translate the story from the written page into a visual presentation. Depending on the form of the original text and the chosen method of translation, certain inherent difficulties and pitfalls are associated with this change of medium. So often our reception of a book-based movie has more to do with our expecta...
The Byronic Hero in Film, Fiction, and Television bridges nineteenth- and twentieth-century studies in pursuit of an ambitious, antisocial, arrogant, and aggressively individualistic mode of hero from his inception in Byron’s Manfred, Childe Harold, and Cain, through his incarnations as the protagonists of Westerns, action films, space odysseys, vampire novels, neo-Gothic comics, and sci-fi television. Such a hero exhibits supernatural abilities, adherence to a personal moral code, ineptitude at human interaction (muddled even further by self-absorbed egotism), and an ingrained defiance of oppressive authority. He is typically an outlaw, most certainly an outcast or outsider, and more ofte...
From the bestselling popular historian comes a masterly recreation of Victorian London, whose raucous streets and teeming denizens inspired and permeated the works of one of Britain's - and the world's - greatest novelists: Charles Dickens. The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn. In The Victorian House, Judith Flanders described in intimate detail what went on inside the nineteenth-century home. Now, in The...
666 pages of shocking sensational stories from the Victorian era, twenty in all including such classics as James Malcolm Rymer's The String of Pearls or Sweeny Todd, the Demon Barber of Fleet-Street, Mary Shelley's Frankenstein or The Modern Prometheus, Guy De Maupassant's The Diary of a Madman or Robert Louis Stevenson's Strange Case of Dr Jekyll and Mr Hyde. The original penny dreadfuls were cheaply printed, inexpensive publications written to titillate the masses with shocking thrills and lurid horrors. Over time, penny dreadful became a catch-phrase for any story steeped in gothic horror that pushed the limits of what was acceptable in popular fiction. In the stories compiled here, werewolves, ghouls, vampires, made doctor, carnivorous highwaymen, ancient Egyptian curses and reanimated corpses are just some of the horrors that the victims contend with.
Laws, decrees, and administrative acts of government.
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