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This book illustrates how internationalist writers marginalized the West and placed the non-Western regions in a new center.
While the later work of the great Modernist poet Marianne Moore was hugely popular during her final two decades, since her death critics have condemned it as trivial. This book challenges that assessment: with fresh readings of many of the late poems and of the iconic, cross-dressing public persona Moore developed to deliver them, Apparition of Splendor demonstrates that Moore used her late-life celebrity in daring and innovative ways to activate egalitarian principles that had long animated her poetry. Dressed as George Washington in cape and tricorn and writing about accessible topics like sports, TV shows, holidays, love, activism, mortality and celebrity itself, she reached a wide cross-...
Radical universalism vs postcolonial theory The World in a Grain of Sand offers a framework for reading literature from the global South that goes against the grain of dominant theories in cultural studies, especially, postcolonial theory. It critiques the valorization of the local in cultural theories typically accompanied by a rejection of universal categories - viewed as Eurocentric projections. But the privileging of the local usually amounts to an exercise in exoticization of the South. The book argues that the rejection of Eurocentric theories can be complemented by embracing another, richer and non-parochial form of universalism. Through readings of texts from India, Sri Lanka, Palestine and Egypt, the book shows that the fine grained engagement with culture, the mapping of ordinary lives not just as objects but subjects of their history, is embedded in much of postcolonial literature in a radical universalism - one that is rooted in local realities, but is able to unearth in them the needs, conflicts and desires that stretch across cultures and time. It is a universalism recognized by Marx and steeped in the spirit of anti-colonialism, but hostile to any whiff of exoticism.
Intimation of Revolution studies the rise of Bengali nationalism in East Pakistan in the 1950s and 60s by showcasing the interactions between global politics and local social and economic developments. It argues that the revolution of 1969 and the national liberation struggle of 1971 were informed by the 'global sixties' that transformed the political landscape of Pakistan and facilitated the birth of Bangladesh. Departing from the typical understanding of the Bangladesh as a product of Indo-Pakistani diplomatic and military rivalry, it narrates how Bengali nationalists resisted the processes of internal colonization by the Pakistani military bureaucratic regime to fashion their own nation. It details how this process of resistance and nation-formation drew on contemporaneous decolonization movements in Asia, Africa, and Latin America while also being shaped by the Cold War rivalries between the USA, USSR, and China.
Located at the intersection of world-literary studies and the environmental humanities, this book analyses how fiction and poetry respond to the ecological transformations entailed by commodity frontiers. Examining the sugar, cacao, coal, and oil frontiers in Trinidad, Brazil, and Britain, World Literature and Ecology shows how literary texts have registered the relationship between the re-making of biophysical natures and struggles around class, race, and gender. It combines a materialist theory of world-literature with the insights of the world-ecology perspective to generate compelling new readings of writers such as Rhys Davies, Yseult Bridges, Lewis Jones, José Lins do Rego, Ellen Wilkinson, Jorge Amado, Gwyn Thomas, and Ralph de Boissière. The book represents a timely intervention into a series of field-defining debates around peripheral realisms and modernisms, ecocriticism, and the energy humanities.
This book explores how a group of Victorian literary writers - including George Eliot, Walter Pater, and Matthew Arnold - became interested in the emerging anthropology of religion, which sought to explain religion not in terms of doctrines or beliefs but as a function of race or ethnicity.
From Havana to Hollywood examines the presence or absence of Black resistance to slavery in feature films produced in either Havana or Hollywood—including Gillo Pontecorvo's Burn!, neglected masterpieces by Cuban auteurs Tomás Gutiérrez Alea and Sergio Giral, and Steve McQueen's Oscar-winning 12 Years a Slave. Philip Kaisary argues that, with rare exceptions, the representation of Black agency in Hollywood has always been, and remains, taboo. Contrastingly, Cuban cinema foregrounds Black agency, challenging the ways in which slavery has been misremembered and misunderstood in North America and Europe. With powerful, richly theorized readings, the book shows how Cuban cinema especially recreates the past to fuel visions of liberation and asks how the medium of film might contribute to a renewal of emancipatory politics today.
The Curious Trajectory of Caste in West Bengal Politics: Chronicling Continuity and Change critically engages with the dynamics of caste in the politics of West Bengal which unlike other parts of India has remained relatively free from large scale caste based political mobilisation. The insignificance of caste in West Bengal politics has remained an enigma. Yet Caste question in West Bengal politics has remained under-researched. However, there has been a growing interest in the politics of caste in West Bengal in recent years and this interest has grown due to the end of the world’s longest serving democratically elected Communist government (1977-2011) that followed a class centric non-identitarian politics. It is in this backdrop that this book explores the reasons for the relative insignificance of caste in post-colonial West Bengal’s politics and also assesses the future possibilities of caste-based identity politics in the state.
This book shows how Persianate poetics and communist internationalism brought together 20th-century writers from across Eurasia.