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The Bride
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Understanding Oral Literature
This latest contribution of the Kenya Oral Literature Association to explorations in oral literature is multi-disciplinary in approach. It includes a wide-ranging selection of papers from twelve Kenyan literary scholars, linguists, educationists, material culture specialists, and historians. The central questions addressed are why oral literature should be taught, what should be included, and how it should be taught. Amongst the topics covered are translation problems, understanding proverbs, oral narrative as discourse, the use of audio visual aids in teaching, general and the politics of control, images of women in African oral literature, the relationship with material culture, and oral literature as part of oral traditions.
A Hole in the Sky
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Anglican Theology
It is now widely acknowledged that Anglicanism, far from being centred on western contexts is a worldwide phenomenon, with some of its liveliest corners located in the global south. Yet the Anglican theology which is taught in institutions is still focused overwhelmingly on a handful of British and North American voices. By exploring the work of eighteen tricontinential and marginalized Anglican theologians, this book begins to correct widespread bias in Anglican theology towards Britain and North Atlantic contexts. The chapters it gathers consider the methods, concerns and contributions to Anglican thinkers from Africa, Asia, Pasifika, South America and eastern European settings, amongst minoritized migrants to North Atlantic countries. Chapters include Esther Mombo on Jenny Te Paa-Daniel, Michael Jagessar on Mukti Barton, and Keun-Joo Christine Pae on Kwok Pui-lan.
Africa Writes Back to Self
The profound effects of colonialism and its legacies on African cultures have led postcolonial scholars of recent African literature to characterize contemporary African novels as, first and foremost, responses to colonial domination by the West. In Africa Writes Back to Self, Evan Maina Mwangi argues instead that the novels are primarily engaged in conversation with each other, particularly over emergent gender issues such as the representation of homosexuality and the disenfranchisement of women by male-dominated governments. He covers the work of canonical novelists Nadine Gordimer, Chinua Achebe, NguÅgiÅ wa Thiong'o, and J. M. Coetzee, as well as popular writers such as Grace Ogot, David Maillu, Promise Okekwe, and Rebeka Njau. Mwangi examines the novels' self-reflexive fictional strategies and their potential to refigure the dynamics of gender and sexuality in Africa and demote the West as the reference point for cultures of the Global South.
Transgressing Boundaries.
Fictions written between 1939 and 2005 by indigenous and white (post)colonial women writers emerging from an African–European cultural experience form the focus of this study. Their voyages into the European diasporic space in Africa are important for conveying how African women’s literature is situated in relation to colonialism. Notwithstanding the centrality of African literature in the new postcolonial literatures in English, the accomplishments of the indigenous writer Grace Ogot have been eclipsed by the critical attention given to her male counterparts, while Elspeth Huxley, Barbara Kimenye, and Marjorie Oludhe Macgoye, who are of Western cultural provenance but adopt an African p...
