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Gli ossequi della Notte FuxWV II.2.9 (K 305)
Ein besonderes Geschenk zum Namenstag präsentierte Kaiser Joseph I. seiner Gemahlin Amalie Wilhelmine im Jahr 1709: die Aufführung der Oper Gli ossequi della Notte im Garten der Sommerresidenz Favorita. Diese Serenata ist eine groß angelegte Huldigung an die Kaiserin, angeführt von der allegorischen Figur der Nacht, die nicht müde wird, die Tugenden der Regentin zu loben. Die Vertonung durch Johann Joseph Fux (ca. 1660–1741) glänzt mit einer prächtigen Instrumentation, die vom Trompetenensemble bis zu Gamben eine Palette an Klangfarben bietet. Die doppelchörige Anlage hebt den Festcharakter hervor, lässt aber zugleich Raum für leise Töne und eine subtile Ausdeutung des Librettos...
The Digital Humanist
This book offers a critical introduction to the core technologies underlying the Internet from a humanistic perspective. It provides a cultural critique of computing technologies, by exploring the history of computing and examining issues related to writing, representing, archiving and searching. The book raises awareness of, and calls for, the digital humanities to address the challenges posed by the linguistic and cultural divides in computing, the clash between communication and control, and the biases inherent in networked technologies. A common problem with publications in the Digital Humanities is the dominance of the Anglo-American perspective. While seeking to take a broader view, th...
Dafne in lauro Fux WV II.2.11 (K 308)
Im Jahr 1714 begann am Wiener Kaiserhof die Zusammenarbeit zwischen Johann Joseph Fux (ca. 1660–1741) und dem Dichter Pietro Pariati: Als deren erste gemeinsame Oper wurde zum Geburtstag von Kaiser Karl VI. die Geschichte von Daphne und Apollo aufgeführt. In dieser Version des bekannten Mythos verwandelt sich die tugendhafte Nymphe in einen Lorbeerbaum, der letztlich zum Symbol der vorbildlichen Herrschaft des Habsburgers wird. Fux gelang mit "Dafne in lauro" ein Meisterwerk der barocken Opernliteratur, das zuletzt 2019 im Rahmen des Musikfestivals styriarte szenisch aufgeführt und zu einem Publikumserfolg wurde. Die wissenschaftliche Neuedition dieser Oper bietet einen Notentext nach de...
Digital Humanities Pedagogy
"The essays in this collection offer a timely intervention in digital humanities scholarship, bringing together established and emerging scholars from a variety of humanities disciplines across the world. The first section offers views on the practical realities of teaching digital humanities at undergraduate and graduate levels, presenting case studies and snapshots of the authors' experiences alongside models for future courses and reflections on pedagogical successes and failures. The next section proposes strategies for teaching foundational digital humanities methods across a variety of scholarly disciplines, and the book concludes with wider debates about the place of digital humanities in the academy, from the field's cultural assumptions and social obligations to its political visions." (4e de couverture).
Data and Information in Online Environments
This book constitutes the refereed post-conference proceedings of the Second International Conference on Data Information in Online Environments, DIONE 2021, which took place in March 2021. Due to COVID-19 pandemic the conference was held virtually. DIONE 2021 presents theoretical proposals and practical solutions in the treatment, processing and study of data and information produced in online environments, the latest trends in the analysis of network information, media metrics social, data processing technologies and open science. The 40 revised full papers were carefully reviewed and selected from 86 submissions. The papers are grouped in thematical sessions on evaluation of science in social networking environment; scholarly publishing and online communication; and education in online environments.
European Heritage, Dialogue and Digital Practices
European Heritage, Dialogue and Digital Practices focuses on the intersection of heritage, dialogue and digital culture in the context of Europe. Responding to the increased emphasis on the potential for heritage and digital technologies to foster dialogue and engender communitarian identities in Europe, the book explores what kind of role digital tools, platforms and practices play in supporting and challenging dialogue about heritage in the region. Drawing on fieldwork involving several European museums and heritage organisations, the chapters in this volume critically engage with the role of digital technology in heritage work and its association with ideas of democratisation, multivocali...
Bollywood and Globalization
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Language Technology for Cultural Heritage
The digital age has had a profound effect on our cultural heritage and the academic research that studies it. Staggering amounts of objects, many of them of a textual nature, are being digitised to make them more readily accessible to both experts and laypersons. Besides a vast potential for more effective and efficient preservation, management, and presentation, digitisation offers opportunities to work with cultural heritage data in ways that were never feasible or even imagined. To explore and exploit these possibilities, an interdisciplinary approach is needed, bringing together experts from cultural heritage, the social sciences and humanities on the one hand, and information technology...
Museums in a digital culture
The experience of engaging with art and history has been utterly transformed by information and communications technology in recent decades. We now have virtual, mediated access to countless heritage collections and assemblages of artworks, which we intuitively browse and navigate in a way that wasn't possible until very recently. This collection of essays takes up the question of the cultural meaning of the information and communications technology that makes these new engagements possible, asking questions like: How should we theorise the sensory experience of art and heritage? What does information technology mean for the authority and ownership of heritage?
