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The Authors XI
  • Language: en
  • Pages: 242

The Authors XI

  • Type: Book
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  • Published: 2013-06-06
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  • Publisher: A&C Black

An examination of modern cricket by the historic literary team traces a summer season spent assessing the game qualities that have rendered it so culturally appealing, sharing the first-hand perspectives of writers who participated in 12 games that reflected key cricket aspects.

The Authors XI
  • Language: en
  • Pages: 212

The Authors XI

  • Type: Book
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  • Published: 2013-06-06
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  • Publisher: A&C Black

Cricket has perhaps held more writers in its thrall than any other sport: many excellent books have been written about it, and many great authors have played it. The Authors Cricket Club used to play regularly against teams made up of Publishers and Actors. They last played in 1912, and include among their alumni such greats as PG Wodehouse, Arthur Conan Doyle and JM Barrie. A hundred years on from their last match, a team of modern-day authors has been assembled to continue this fine literary and sporting tradition in a nationwide tour in search of the perfect day's cricket. The Authors XI is the story of their season. Over the course of a summer they played over a dozen matches, each one c...

Author, Playwright and Composer
  • Language: en
  • Pages: 646

Author, Playwright and Composer

  • Type: Book
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  • Published: 1895
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  • Publisher: Unknown

None

Contemporary Authors
  • Language: en
  • Pages: 488

Contemporary Authors

  • Type: Book
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  • Published: 1998
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  • Publisher: Unknown

None

The Creators of Winnie the Pooh
  • Language: en
  • Pages: 202

The Creators of Winnie the Pooh

  • Type: Book
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  • Published: 2025-03-30
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  • Publisher: White Owl

In 1962, children’s writer Roger Lancelyn Green coined the phrase ‘The Golden Age of Children’s Books’. A. A. Milne’s two Winnie-the-Pooh books, published in 1926 and 1928, which were so beautifully illustrated by artist and book illustrator E. H. Shepard, fall into this category. Milne was clearly motivated to compose his Winnie-the-Pooh stories in order to entertain his young son. However, Christopher Robin came to resent the fact that his father had used his real first names as the names of Pooh’s owner in the books. Was there a deeper reason why Milne created Winnie-the-Pooh? Possibly yes. The author had served as a soldier in the First World War, and by creating Pooh and his ‘Hun...

Writers, Readers, and Reputations
  • Language: en
  • Pages: 1194

Writers, Readers, and Reputations

Philip Waller explores the literary world in which the modern best-seller first emerged, with writers promoted as stars and celebrities, advertising both products and themselves.

British Sport - A Bibliography to 2000
  • Language: en
  • Pages: 312

British Sport - A Bibliography to 2000

  • Type: Book
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  • Published: 2014-02-04
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  • Publisher: Routledge

Volume two of a bibliography documenting all that has been written in the English language on the history of sport and physical education in Britain. It lists all secondary source material including reference works, in a classified order to meet the needs of the sports historian.

Sport in Britain
  • Language: en
  • Pages: 328

Sport in Britain

None

Publishers' Circular and Booksellers' Record of British and Foreign Literature
  • Language: en
  • Pages: 726

Publishers' Circular and Booksellers' Record of British and Foreign Literature

  • Type: Book
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  • Published: 1894
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  • Publisher: Unknown

None

Postmodern Fiction and the Break-Up of Britain
  • Language: en
  • Pages: 178

Postmodern Fiction and the Break-Up of Britain

  • Type: Book
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  • Published: 2011-11-03
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  • Publisher: A&C Black

This study explores how British identity has been explored and renegotiated by contemporary writers. It starts by examining the new emphasis on space and place that has emerged in recent cultural analysis, and shows how this spatial emphasis informs different literary texts. Having first analysed a series of novels that draw an implicit parallel between the end of the British Empire and the break-up of the unitary British state, the study explores how contemporary writing in Northern Ireland, Scotland and Wales contributes to a sense of nationhood in those places, and so contributes to the break-up of Britain symbolically. Dix argues that the break-up of Britain is not limited to political devolution in Northern Ireland, Scotland and Wales. It is also an imaginary process that can be found occurring on a number of other conceptual coordinates. Feminism, class, regional identities and ethnic communities are all terrains on which different writers carry out a fictional questioning of received notions of Britishness and so contribute in different ways to the break-up of Britain.