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This book provides pioneering research on the Hebrew writings of Arab authors in Israel. It shows how authors in their Hebrew writings try to give their characters an authentic air and to create an atmosphere of authentic culture, and highlights archaic Hebrew syntactic structures that are similar to their Arabic counterparts in order to transmit Arab cultural elements. Language, after all, also serves to mediate between cultures, in addition to its function as a means of medium of communication. The text shows how Arab writers, through their translations point, to Arab culture as a possible model of imitation, as a bridge over what they perceive as a gap between the source and the target cultures. The authors thus see themselves not merely as composers of Hebrew literature, or as translators of Arabic literature into Hebrew, but also as messengers who serve as a bridge between Arabic and Hebrew cultures, and possibly as potential contributors to resolving the Jewish-Arab conflict.
This book offers a new framework for reading the Bible as a work of reason.
Muslim Writers on Judaism and the Hebrew Bible deals with the way in which Judaism and its holy scriptures were viewed by nine medieval Muslim writers representing different genres of Arabic literature: Ibn Rabban al-ṭabarī, Ibn Qutayba, al-Ya‘qūbī, Abū Ja‘far al-ṭabarī, al-Mas‘ūdī, al-Maqdisī, al-Bāqillānī, al-Bīrūnī and Ibn ḥazm. After an introductory chapter on the reception of Biblical materials in early Islam and a presentation of the authors under review, the book focuses on their knowledge of Judaism and the text of the Hebrew Bible, and subsequently discusses issues frequently debated between Muslims and Jews, namely, the claim that the Torah contains references to Muḥammad, and the assertion that the Torah has been both abrogated and falsified. In the appendix, texts by Ibn Qutayba and al-Maqdisī are offered for the first time in an English translation.
This volume offers a thematic study of an integral part of the Hebrew text of Esther, namely, violence. In The Dynamics of Violence and Revenge in the Hebrew Book of Esther, Francisco-Javier Ruiz-Ortiz makes the first ever monographic research on the topics of hostility and the mechanisms of revenge as expressed by the author of the Hebrew book of Esther. The present book is divided into two parts consisting of three chapters each. After an introductory chapter reviewing previous studies on the book of Esther, the author analyses the main vocabulary of violence and revenge in this biblical text before studying the narrative of Esther from the point of view of violence. The results of these two avenues of research are then applied on three pericopes which are representative of the dynamics of violence. Each of the chosen texts illustrates how violence and revenge are used by the author to express the message of survival and the importance of the Jewish people.
A husband seeks his wife's lover who is lost in the turbulence of Israel's Yom Kippur War. As the story of his quest unfolds and grows in intensity, the main protagonists are drawn into the search and transformed by it: through the different perspective of husband, wife, teenage daughter, young Arab emerges a complex picture of the uneasy present, the tension between generations, between Israel's past and future, between Jews and Arabs. The Lover was A.B. Yehoshua's first novel and immediately brought him international recognition. It is brilliant, compassionate and highly original and as accomplished as all his later works.
Hailed as "the most radical repackaging of the Bible since Gutenberg", these Pocket Canons give an up-close look at each book of the Bible.
This stunning anthology gathers together the riches of poetry in Hebrew from 'The Song of Deborah' to contemporary Israeli writings. Verse written up to the tenth century show the development of piyut, or liturgical poetry, and retell episodes from the Bible and exalt the glory of God. Medieval works introduce secular ideas in love poems, wine songs and rhymed narratives, as well as devotional verse for specific religious rituals. Themes such as the longing for the homeland run through the ages, especially in verse written after the rise of the Zionist movement, while poems of the last century marry Biblical references with the horrors of the Holocaust. Together these works create a moving portrait of a rich and varied culture through the last 3,000 years.
Glenda Abramson's informative introduction sets the scene for a powerful literary collection, the definitive anthology of a vibrant modern genre.
One of the more creative Old Testament scholars of our time, David Clines offers an enjoyable and provocative set of studies on ideology. The title of a keynote essay, 'Why is There a Song of Songs, and What Does It Do to You If You Read It?', hints at the twin focus of the volume: the ideology of the writers, who bring the biblical texts into being, and the ideologies of the readers, who are shaped by the text at the same moment as they are shaping it in their own image. Among the essays are 'The Ten Commandments, Reading from Right to Left'; 'Metacommentating Amos'; 'David the Man: The Construction of Masculinity in the Hebrew Bible'; and 'Psalm 2 and the MLF (Moabite Liberation Front)'.