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Tracing the Boundaries Between Hindi and Urdu
This book sheds light on the complex relationship between Hindi and Urdu. Through a detailed reading of a representative set of 20th century short stories in both languages, the author leads the reader towards a clear definition of the differences between Hindi and Urdu. The full translations of the stories have been extensively annotated to point out the details in which the Hindi and Urdu versions differ. An overview of early and contemporary Hindi/Urdu and Hindustani grammars and language teaching textbooks demonstrates the problems of correctly naming and identifying the two languages. This book now offers a detailed and systematic database of syntactic, morphological and semantic differences between the selected Hindi and Urdu stories. A useful tool for all scholars of modern Hindi/Urdu fiction, (socio-)linguistics, history or social sciences.
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Postmodern Traces and Recent Hindi Novels
Postmodernism is a notoriously elusive concept and still the object of critical debates among scholars across a range of different disciplines. In literature, in particular, these debates are complicated by “postmodern” styles emanating from outside the concept’s Western origins. By analyzing contemporary Hindi novels, and drawing on both Western and Hindi literary criticism, "Postmodern Traces and Recent Hindi Novels" aims to understand some of the manifestations of postmodernism in contemporary Hindi fiction, including ways the latter might challenge the traditional parameters of postmodern literature. This book is essential reading for scholars and students specializing in South Asian studies and both postcolonial and comparative literature. It will also interest the general reader curious to know more about one of the less explored areas of world literature.
Western Tradition and Naturalistic Hindi Theatre
Western Tradition and Naturalistic Hindi Theatre is a critical study of the dramatic work of naturalistic Hindi playwright Upendranath Ashk (1910-1996). The book explores modern Hindi drama from its beginnings in the second half of the nineteenth century until the 1960s. During this period, proscenium Hindi theatre, which originated under Western influence, matured and thrived. In the years after Independence, there was a strong resentment of Western ideas and cultural influence. Because of political controversies with the British, «Western» influence also came to be understood as «non-Indian» in the sphere of literature. This resulted in a negative stance toward the naturalistic play of Hindi and those dramatists who adhered to it. Thus, this book is a contribution to the present-day cultural dialogue between East and West.
