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The Visual Poetics of Raymond Carver
"Readers have been aware of Raymond Carver's preoccupation with voyeurism and the visual for decades. Ayala Amir expands our knowledge of these issues by examining the links between the visual in fiction and related fields such as photography and cinema, opening up a whole new, interdisciplinary dimension to Carver's work. The Visual Poetics of Raymond Carver is a very welcome contribution to our understanding of Carver's stories."-Sandra Lee Kleppe, International Raymond Carver Society --
Photography in Children's Literature
Photography in Children’s Literature is the first study that examines the wide array of artistic techniques, topics, and genres used within photographic books for children. Covering a time period from the 1870s to the 1980s, the collection offers multifaceted insights into changing perceptions of children and childhood during an era when the world changed in unprecedented ways. More than sixty full-color illustrations demonstrate an impressive variety of genres, from ABC books, concept books, and country portraits to photo reportage and poetry. By discussing photographic books from ten countries and three continents, the collection offers an international scope, providing a glimpse into the production and reception of photography in children’s literature in a range of contexts and cultures. Photographic books for children thus open up new vistas for scholars interested in an interdisciplinary and transnational investigation of children’s literature, text and images, across the centuries.
A Companion to the American Short Story
A COMPANION TO THE AMERICAN SHORT STORY A Companion to the American Short Story traces the development of this versatile literary genre over the past two centuries. Written by leading critics in the field, and edited by two major scholars, it explores a wide range of writers, from Edgar Allen Poe and Edith Wharton, at the end of the nineteenth century to important modern writers such as Ernest Hemingway, William Faulkner, F. Scott Fitzgerald, and Richard Wright. Contributions with a broader focus address groups of multiethnic, Asian, and Jewish writers. Each chapter places the short story into context, focusing on the interaction of cultural forces and aesthetic principles. The Companion tak...
Charles Olson and Alfred North Whitehead
Annotation "Through a detailed and thoughtful study of the impact of Alfred North Whitehead's philosophy on Olson's aesthetic theory, this book points out the conceptual unity underlying what seems to be a sprawl of fragments in Olson's major work, The Maximus Poems." "On the one hand, concrete poetic units of The Maximus Poems serve as a starting point for clarifying how different elements are joined together in one unity. On the other hand, the book traces the blending of the whole poem at the macro level, following its course through a temporal progress in which the poem moves from one poetic unit to the next; that is, from a unity (of multiplicity) to a new unity (in which the previous unity is already part of the multiplicity building the new one). Thus the book illuminates Olson's theory of the Long Poem as an "all-containing" corpus, governed by metaphysical principles, equal to life itself, enacted in the process of working on The Maximus Poems."--BOOK JACKET. Title Summary field provided by Blackwell North America, Inc. All Rights Reserved.
Once Below a Time
Offers a psychoanalytically enhanced theory of poetics through close readings of Dylan Thomas and Julia Kristeva.
Carver Across the Curriculum
Raymond Carver’s canonical status is secure: his short stories appear regularly in all of the major literary anthologies, and his fiction and poetry are taught at universities around the world. Despite this, there are few instructional aids to teaching Carver's work at university level, and none that take into account the interdisciplinary nature of many modern university courses. Carver Across the Curriculum addresses these needs. Drawing on the experiences and expertise of a group of international scholars, it presents a variety of innovative, interdisciplinary approaches to teaching Carver’s work at the undergraduate and postgraduate levels. The chapters cover a wide range of disciplines, including music, creative writing, translation, humor studies, food studies, the medical humanities, and the visual and performing arts. As such, the collection serves as a guide and a source of inspiration to instructors, and offers readers new insights into Carver’s fiction and poetry.
Not Far From Here
Hailed as the “American Chekhov” by the Times Literary Supplement, Raymond Carver is the most popular and influential American short-story writer since Ernest Hemingway. His works have been adapted to film and translated into more than twenty languages. Yet despite this international appeal, the critical attention to his writing has originated mostly in the US. In an attempt to expand the scope and range of Carver criticism, Not Far From Here: The Paris Symposium on Raymond Carver – based on papers delivered at the International Conference of the Raymond Carver Society at the University of Paris XII on the occasion of the twentieth anniversary of the author’s death – offers an enga...
The Poetry of Raymond Carver
Best known as one of the great short story writers of the twentieth century, Raymond Carver also published several volumes of poetry and considered himself as much a poet as a fiction writer. Sandra Lee Kleppe combines comparative analysis with an in-depth examination of Carver’s poems, making a case for the quality of Carver’s poetic output and showing the central role Carver’s pursuit of poetry played in his career as a writer. Carver constructed his own organic literary system of 'autopoetics,' a concept connected to a paradigm shift in our understanding of the inter-relatedness of biological and cultural systems. This idea is seen as informing Carver’s entire production, and a di...
Minimalism and Affect in American Literature, 1970-2020
Theorizes the development of a minimalist mode in American fiction since 1970, frequently seen to interrogate US postmodernity. Minimalism and Affect in American Literature, 1970-2020 responds to existing studies of literary minimalism by pursuing three original and interrelated objectives. It provides a more inclusive and precise definition of minimalism that enables further inquiry into the mode. It also exposes the presence of minimalism beyond critical demarcations that attempt to limit the aesthetic to a particular school, medium, movement, form or decade. Finally, it argues that writers of American literary minimalism are uniquely privileged in their ability to formalize precarity and ...
