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Cambridge O Level Urdu as a Second Language Skills Builder: Reading and Writing
An activity-led, engaging resource that offers flexible support for students at all levels. The Skills Builder covers the reading and writing components of the Cambridge IGCSE® Urdu as a Second Language syllabus (0539). This text is not endorsed for the Cambridge O Level Urdu as a Second Language (3248) syllabus for examination from 2024. Created by a team of experienced authors working with syllabus experts, the Skills Builder contains authentic, culturally relevant material selected to stimulate language awareness and critical thinking. Engaging, progressive activities help students hone their skills and reach their potential, while self-assessment advice and exam-style questions at the end of each unit build confidence in using the Urdu language.
Ayesha
Ayesha is the first part of a trilogy and tells the story of love, lust, deceit and drugs in the fast-paced world of fashion. Rather than follow in her father's footsteps and study medicine a young Asian student, Ayesha, chooses to follow a career as a fashion designer, a decision that causes a rift between her and her father, Dr Raj Bahanda. While studying at university in Glasgow Ayesha meets and falls in love with Gerard Elthsworthy a brilliant young fashion design student. Gerard also falls in love with Ayesha. The problem is both are frightened to reveal their love for the other for fear of destroying their close friendship. Will love ever prevail for the young couple? While working on a fashion show some years later Ayesha accidentally stumbles across some models snorting cocaine before going on stage. Subsequently one of the younger models has overdosed and is rushed to hospital unsure if she will make it through the night. Ayesha becomes determined to track down the dealer and bring him to justice. But at what cost? Unknown to Ayesha the drug baron becomes aware of her plot to bring down his empire and suddenly the tables are turned. The hunter becomes the hunted!!!
Ayesha At Last
Pride and Prejudice with a modern twist AYESHA SHAMSI has a lot going on. Her dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her one hundredth marriage proposal. Though Ayesha is lonely, she doesn’t want an arranged marriage. Then she meets Khalid who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and dresses like he belongs in the seventh century. When a surprise engagement between Khalid and Hafsa is announced, Ayesha is torn between how she feels about the straightforward Khalid and his family; and the truth she realizes about herself. But Khalid is also wrestling with what he believes and what he wants. And he just can’t get this beautiful, outspoken woman out of his mind.
Love, InshAllah
This “book that strips off the traditional trappings of Islamic womanhood to expose the special strengths and vulnerabilities that lie beneath” (The Washington Post) affirms the reality of the romantic lives of Muslim women. Romance, dating, sex and—Muslim women? In this groundbreaking collection, twenty-five American Muslim writers sweep aside stereotypes to share their search for love openly for the first time, showing just how varied the search for love can be—from singles’ events and online dating, to college flirtations and arranged marriages, all with a uniquely Muslim twist. These stories are filled with passion and hope, loss and longing: A quintessential blonde California ...
Ayesha at Last
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Ayesha
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Entdämonisierung und Verteufelung
Das Diabolische war der englischen Literatur stets ein größeres Problem als der Anglistik; so ist die Forschung kaum über Einzelbetrachtungen und bruchstückhafte Motivgeschichten hinausgekommen. Die vorliegende Studie unternimmt hingegen eine diachrone Schau vom 16. bis zum Ende des 20. Jahrhunderts aus funktionsgeschichtlicher Perspektive: Welche Funktionen und Wirkungen hatte das Teuflische innerhalb und außerhalb von Texten? Wem nutzten solche Wirkungen? So richtet sich das Augenmerk auf einschlägig bekannte Werke wie die morality plays, Marlowes »Doctor Faustus«, Miltons »Paradise Lost«, Blakes Epen, Shaws frühe Dramen, Conrads »Heart of Darkness« und Rushdies »Satanic Vers...
AYESHA - SIE KEHRT ZURÜCK
Leo Vincey ist felsenfest davon überzeugt, dass SIE, die er in der Totenstadt Kôr auf so tragische Weise verlor, noch irgendwo lebt. Die Zeichen und Hinweise deuten auf ein unbekanntes Land, das seit Jahrhunderten von der Zivilisation abgeschnitten ist. Nach schier unerträglichen Strapazen und zahlreichen Abenteuern erreichen Leo Vincey und Horace Holly das von der Welt vergessene Land und finden Ayesha, die sich vor ihren Augen auf geheimnisvolle Weise verwandelt. Ist sie eine Reinkarnation? Eine Göttin? Eine Außerirdische? Gebannt von ihrer Schönheit werden die Abenteurer Zeuge von Konflikten unbegreiflicher überirdischer Mächte, die schon seit Jahrtausenden aufeinanderprallen... D...
