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Uluslararası Göbeklitepe’den Bugüne Türkiye’nin Tarihi ve Kültürel Mirası Sempozyumu, Akademik Düşünce Enstitüsü Derneği tarafından Gençlik ve Spor Bakanlığı’nın GPDP-1 Destek programıyla yürüttüğü Seyyah Türkiye Projesi’nin bir parçası olarak düzenlenmiştir. Sempozyum, 04-05 Eylül 2021 tarihlerinde Samsun Büyükşehir Belediyesi Sanat Merkezi’nde yüz yüze ve 06 Eylül 2021 tarihinde Youtube Akademi TV’de çevrim içi olmak üzere toplam 9 oturumda gerçekleştirilecektir. Bu kitap sempozyuma kabul edilen bildiri özetlerinden oluşan Bildiri Özetleri Kitabıdır.
Tam Metin Bildiriler Kitabı, Akademik Düşünce Enstitüsü Derneği tarafından Gençlik ve Spor Bakanlığı’nın GPDP 2020-1 desteğiyle gerçekleştirilen Uluslararası Göbeklitepe’den Bugüne Türkiye’nin Tarihi ve Kültürel Mirası Sempozyumunda kabul edilen bildirilerden hakem süreci tamamlanmış tam metinlerden oluşmaktadır.
Bu çalışma, daha önce yine İz Yayıncılık tarafından yayımlanan Kadın Olmak: İslâm, Gelenek, Modernlik ve Ötesi isimli kitabın tamamlayıcı parçasıdır. Kimi çevreler tarafından geleneğin gelişme önünde engel olarak görüldüğü, değer yargılarının baştan aşağıya yozlaşmaya maruz kaldığı ve kimlik siyasetinin toplumlara empoze ve dikte edildiği günümüzde değerlerimizi; kültürel, biyolojik ve sosyolojik sınırlarımızı ve kavramlarımızı tanımak ve anlamak ehemmiyet kazanmıştır. Ülkemize Batı tarafından nakledilmeye çalışılan (ve Batı’yı da zehirleyen) “Woke” kültürü kendisini erkek-kadın tanımlamalarında, konumlandırmalarında ve değerlendirmelerinde de hissetmiştir. Erkek Olmak: İslâm, Sâbiteler ve Değişen Roller kitabı, gelenek ve İslâm çerçevesinden bu zehre entelektüel ve ahlaki bir panzehir üretme çabasında, değişen dünyada hem gelişme hem de özgün kalmanın yollarını sunma gayesindedir.
Mystiques, État et Société is the first study to treat of the history of a mystical Muslim brotherhood—the Halvetis, the most widespread brotherhood in southeastern Europe—from its introduction to the region until the present day. The study is based on very diverse written sources, including unedited manuscripts, as well as on fieldwork. In the book are examined the role of the Halvetis in the spread of the ideology propagated by the Ottoman political authorities (“Sunnitization”, conquests, colonization, Islamization) and in the uniting of the Muslim populations; the expansion and social rooting of the brotherhood; and its development in the post-Ottoman period. This study clarif...
Creating Global Music in Turkey looks at the rise of ”world music” in Turkey by analyzing this country’s various “traditional” or ethnic music forms. The book focuses on the uniquely Turkish musical forms exemplified by Gypsy, Sufi, and Folk music, and explores how these have been incorporated into the global discourses of world music. In doing so, the book also shows how the place-making strategies of globalization are embodied through the construction of an “authentic” Istanbul sound under the label of world music. The reader is invited to consider each musical tradition as being a unique realm in its incorporation into world music. The process of incorporation and appropriation is explained by examination of the specificities of each realm. This book is unique within the relevant literature, focusing on the production of a global cultural form outside of the Western world. It uses the findings of comprehensive ethnographic research to reveal to the reader the strategies of actors, the discursive mechanisms in the field, and how the world music markets operate.
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
There are over 275 Ottoman Turkish and Çaĝatay manuscripts in Canada, including more than 200 in the collection of Professor Eleazar Birnbaum. These are remarkable in terms of age (mostly 15th to 17th century) and subject range. The descriptions in this catalogue are unusually detailed: they include author, title, subject, contents, first and last words, date of manuscript, calligraphy, foliation, dimensions, and the location of similar manuscripts elsewhere. Among other special features are details of watermark designs in the paper (useful for dating undated manuscripts), descriptions of seals and notes of previous owners, and many colour illustrations. The catalogue also describes all Turkish manuscripts in the three other small Canadian collections: at the University of Toronto, McGill University (Montreal), and the Royal Ontario Museum.
It would not be an overstatement to say that Cemal Kafadar has transformed the field of Ottoman history. As a result of his pathbreaking books and articles, the field is experiencing a turn within itself as well as recasting its relationship with world history. This volume acts as a tribute to Kafadar and the important interdisciplinary work he has both done and inspired in the field. In line with the intellectual pluralism that Kafadar has cultivated over his career, readers will find a number of articles engaging with a wide range of questions, approaches, perspectives, and sources across Ottoman history. Kafadar's students and friends, individually or in pairs, researched and crafted contributions to this volume with a variety of conceptual premises, theoretical approaches, and interpretive tools to celebrate his thirty years of teaching, research, and mentorship, in addition to the overwhelming generosity of his intellectual and personal engagement.