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The Problem of Universals from Boethius to John of Salisbury
The problem of universals is one of the main philosophical issues. In this book the author reconstructs the history of the problem considering a selection of medieval representative texts and authors. The source of medieval and postmedieval debate is identified in the Socratic-Platonic survey on the definition of concepts. In the Categories, Aristotle discusses important topics concerning the relations that exist between logical terms. In particular he establishes a kind of predication principle: categorial terms have a certain predication relation if (and only if) some facts expressed by ordinary sentences hold. The Categories also because of their particular disciplinary status, halfway between logic and metaphysics, leave a number of questions open. Among these questions, a particularly intriguing one is Porphyry’s riddle: are there genera and species? And, if there are such things, what are they like?
The Pendulum Swings
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Audible Infrastructures
"Music is typically encountered as a cultural surface. Songs emanate instantaneously and almost magically from our computers and phones. Tools for playing and making music, such as recordings and guitars, wait for us in stores, ready for purchase with no assembly required. And when we're done with this stuff, we can kick it to the curb, where it disappears effortlessly and without a trace. Day-to-day musical enjoyment seems so simple, so easy, so automatic. But it isn't. This book digs beneath such surface-level encounters to reveal the infrastructural dimensions of music and listening. It takes nothing for granted about the manufacture, delivery, or disposal of music's material and human ba...
All Fools
Of all the poets Francis Meres names in his famous Palladis Tamia, Wits Treasury (1598), just two rate a mention as being both 'our best for tragedy' and 'the best poets for comedy': William Shakespeare and George Chapman. All Fools, written in 1599, is the only Elizabethan comedy based directly on the plays of Terence. By taking episodes and characters from two brilliant works, The Self-Tormenter and The Brothers, Chapman creates something that is distinctly Elizabethan while remaining faithful to the spirit of the great Roman master. In this edition, an extensive introduction and commentary show how Chapman combines the literary and theatrical traditions of ancient Rome with everyday life in his own time to fashion a sparkling and innovative comedy that will delight audiences today as much as it did those of 1599.
A Complete English-Latin Dictionary; For the Use of Colleges and Schools
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Success Case Method
Each year, organizations spend millions of dollars trying out new innovations and improvements-and millions will be wasted if they can't quickly find out what's working and what is not. The Success Case Method offers a breakthrough evaluation technique that is easier, faster, and cheaper than competing approaches, and produces compelling evidence decision-makers can actually use. Because it seeks out the best stories of how real individuals have actually used innovations, The Success Case Method can ferret out success no matter how small or infrequent. It can salvage the few ''gems'' of success from a larger initiative that is not doing well or find out how to make a partially successful effort even more successful. The practical methods and tools in this book can help those who initiate and foster change, including leaders, executives, managers, consultants, training directors, and anyone else who is trying to make things work better in organizations get the greatest returns for their investments.
Choreographing History
"... I have used essays from the book to help dance graduate students push their thinking beyond the studio and their own physical experience and to realize the varied resources, approaches, and theoretical positions possible in writing about the body." -- Dance Research Journal "Choreographing History... assembles an impressive diversity of sites, disciplines and critical approaches... [and] includes not only historical bodies and discourses, but also the very bodies of the historians themselves." -- Parachute "This volume is not only full of gems (the very lineup of preeminent scholars is impressive), but is also a neat cross-section of the academic conventions and mannerisms of our time." -- Dance Chronicle "... [an] important step... in the ineluctable dance by postmodern historians across a bridge that spans the gaps among disciplines, between theory and practice, and betweeen present and past." -- Theatre Journal Historians of science, sexuality, the arts, and history itself focus on the body, merging the project of writing about the body with theoretical concerns in the writing of history.
Venice and Amsterdam
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