You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This is a study of the practice of judicial summing-up to juries, and of the language of persuasion and rhetoric in the English criminal process. The book examines those statements normally occurring in criminal courts, but also in the High Court, in defamation trials and in "civil liberty" torts in the county courts. The text of these summaries can vary in length, and are significant in that they break the flow between advocates' turn-taking - especially their final speeches. In addition to its linguistic concerns, the book considers the practice of summing-up as a legal problem - as unrecognized advocacy - and examines alternatives, such as the North American and Scottish minimalist legal model, and a reformed summing up of patterned structure.
In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.
None
Containing cases decided by the Privy Council, federal, provincial, shariat courts, and high courts of various Pakistani jurisdictions.
Following India’s independence in 1947, Indian artists creating modern works of art sought to maintain a local idiom, an “Indianness” representative of their newly independent nation, while connecting to modernism, an aesthetic then understood as both universal and presumptively Western. These artists depicted India’s precolonial past while embracing aspects of modernism’s pursuit of the new, and they challenged the West’s dismissal of non-Western places and cultures as sources of primitivist imagery but not of modernist artworks. In Art for a Modern India, Rebecca M. Brown explores the emergence of a self-conscious Indian modernism—in painting, drawing, sculpture, architecture...
This is an explanation of the reasons behind the current artistic renaissance in India, a country steeped in traditionalism, and ruled by a foreign power for two centuries. It demonstrates that the coming of independence created an uninhibited context for Indian creative genius to flower again. In the 1950s artists embarked on a quest for identity that was new, and yet would reflect their country's heritage. Since then, Indian artists have quietly brought about what may be described as a charmed revolution in Indian art. The results of this revolution, as yet little known in the West and seen in this text in colour reproductions, connect India's timeless tribal and folk art traditions with developments in 20th-century Western art, in ways which are as Indian in spirit as they are universal in appeal.
Independent India is an exploration of India’s national history from independence in 1947 to the end of the twentieth century. Wendy Singer charts the rapid development of this emerging world power by following a series of different narratives crucial to the history of post-independence India: national integrations, the ongoing development of arts and culture, social movements, and political change. In telling the broader history of political movements and cultural transformations from different perspectives, this book provides key examples that demonstrate the experiences of women and men from the many classes and cultures that comprise modern India. In keeping with the series as a whole,...
Forgery, larceny, perjury, bigamy and infamy: it's all here. The Telegraph Book of Scandal collects the paper's reporting on the most outrageous events and individuals in its 160-year history. From Oscar Wilde's trial to the Profumo affair, the unmasking of Anthony Blunt as a Soviet spy, right through to their searing coverage of the expenses scandal; corrupt politicians, sex-crazed singers, murderous dictators and shady businessmen alike will be named and shamed. Tapping into the universal desire for 'something sensational to read on the train', and using the same addictive editorial structive as the bestselling Thinker, Failure, Soldier, Jailer, this book will be perfect for anyone looking for an irreverent, surprising and sometimes tragic alternative history of the two centuries.
Although cultural exchanges were named within the Council of Europe in the mid- 1950's as being second only in importance to the military as a tool for ensuring a stable and integrated Western Europe in the aftermath of the Second World War, European-led initiatives have generally been overlooked in the historiography of art of the immediate post-war period. Popularly remembered as the era of the United States' cultural "triumph", American Abstract Expressionism in particular is commonly identified as the cultural "weapon" by which that nation conquered Western European culture.